BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Salem for All Ages - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://salemforallages.org
X-WR-CALDESC:Events for Salem for All Ages
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20210314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20211107T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20220313T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20221106T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211231T190000
DTEND;TZID=America/New_York:20220101T010000
DTSTAMP:20260522T145338
CREATED:20211228T100006Z
LAST-MODIFIED:20211228T100006Z
UID:11605-1640977200-1640998800@salemforallages.org
SUMMARY:New Year’s Eve Bash
DESCRIPTION:Come celebrate the turn of the year at Rockafellas!\n\nMoneyKat will be performing\, party favors & noisemakers will be provided.
URL:https://salemforallages.org/event/new-years-eve-bash/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/269888064_1961159910750807_195815409163963471_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211231T210000
DTEND;TZID=America/New_York:20220101T010000
DTSTAMP:20260522T145338
CREATED:20211228T100011Z
LAST-MODIFIED:20211228T100011Z
UID:11607-1640984400-1640998800@salemforallages.org
SUMMARY:New Year’s Eve Midnight Speakeasy
DESCRIPTION:It’s the 20’s and the 89th anniversary of the End of Prohibition\, so let’s party like we haven’t been able to in 2 years! Miz Diamond Wigfall will be joined by Maxine Harrison\, cabaret singer Katy Coffin\, and pianist Cassandra Marsh for an exciting blend of old jazzy numbers and new twists…because let’s face it\, could it really be a Diamond party without a little Brittany? DJ Dad Bod will keep the tunes rolling for everyone to keep on their dancing shoes. \nPut on your smartest fedoras and best flapper dresses and come party the night away! We will have a specialty cocktail menu just for the event! \nWe will be serving alcoholic and non-alcoholic beverages with some light bar snacks. Our full kitchen will be closed. Please note\, this is a dance party\, not a dinner event. \nPlease note\, our event is 18+ with proof of COVID vaccination. Due to the rising cases\, we want to make sure we party safely. Please bring your COVID vaccination card or a photograph of it with you. We recommend a DD or planning your travel to/from the cafe. We want to ensure we all have a safe\, fun NYE!
URL:https://salemforallages.org/event/new-years-eve-midnight-speakeasy/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/https___cdn.evbuc_.com_images_199473209_148789379658_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211231T210000
DTEND;TZID=America/New_York:20220101T140000
DTSTAMP:20260522T145338
CREATED:20211231T100006Z
LAST-MODIFIED:20211231T100006Z
UID:11625-1640984400-1641045600@salemforallages.org
SUMMARY:New Year’s Eve Party
DESCRIPTION:Complimentry Hats & Noisemakers\nD.J. starts at 9 PM – No Cover Charges\nChampagne Toast at Midnight\nPartying and Dancing until 2 AM
URL:https://salemforallages.org/event/new-years-eve-party/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/pexels-photo-3394310-scaled-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220101T100000
DTEND;TZID=America/New_York:20220101T120000
DTSTAMP:20260522T145338
CREATED:20211219T100022Z
LAST-MODIFIED:20211219T100022Z
UID:11542-1641031200-1641038400@salemforallages.org
SUMMARY:Wicked Frosty Four Road Race
DESCRIPTION:Save the date for the Wicked Frosty Four–January 1\, 2022. Be a part of over a decade of running awesomeness in Salem\, Massachusetts. Be sure to Like Wicked Frosty Four on Facebook as we post photos and videos from the race. \n\n\n\n\n\n\nShirts for the first 300 registered runners \nAwards for overall male and female and ten year age groups \nPost-race party sponsored by Village Tavern\, 168 Essex Street in Salem.
URL:https://salemforallages.org/event/wicked-frosty-four-road-race/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/Screen-Shot-2021-11-21-at-7.38.03-PM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220101T100000
DTEND;TZID=America/New_York:20220101T170000
DTSTAMP:20260522T145338
CREATED:20211219T100018Z
LAST-MODIFIED:20211219T100018Z
UID:11539-1641031200-1641056400@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-61/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220101T100000
DTEND;TZID=America/New_York:20220101T170000
DTSTAMP:20260522T145338
CREATED:20211219T100018Z
LAST-MODIFIED:20211219T100018Z
UID:11540-1641031200-1641056400@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-23/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/great-animal-orchestra-peabody-essex-museum-scaled-15.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220101T110000
DTEND;TZID=America/New_York:20220101T140000
DTSTAMP:20260522T145338
CREATED:20211231T100014Z
LAST-MODIFIED:20211231T100014Z
UID:11627-1641034800-1641045600@salemforallages.org
SUMMARY:New Year’s Day Hangover Drag Brunch
DESCRIPTION:Let’s not beat around the bush… 2021 was OK at best! Join us and kick off 2022 the right way! With Mizery and her friends for a brunch full of laughs\, smiles\, fabulousness\, and food!
URL:https://salemforallages.org/event/new-years-day-hangover-drag-brunch/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/https___cdn.evbuc_.com_images_175682609_407793577055_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220101T120000
DTEND;TZID=America/New_York:20220101T170000
DTSTAMP:20260522T145338
CREATED:20211219T100026Z
LAST-MODIFIED:20211219T100026Z
UID:11544-1641038400-1641056400@salemforallages.org
SUMMARY:Broom Making\, Book Binding
DESCRIPTION:Craft a rustic broom from scratch or bind your own leather grimoire\, book of shadows\, spell book\, art or dream journal- something for all your creative and magickal works! Personalize your projects with pendants\, herbs\, dried flowers\, bones\, charms\, stencils. Groups welcome! Visit our website or contact us for details at thewitcherysalem.com.
URL:https://salemforallages.org/event/broom-making-book-binding-101/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/broom-journal-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220102T100000
DTEND;TZID=America/New_York:20220102T170000
DTSTAMP:20260522T145338
CREATED:20211220T100006Z
LAST-MODIFIED:20211220T100006Z
UID:11545-1641117600-1641142800@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-62/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220102T100000
DTEND;TZID=America/New_York:20220102T170000
DTSTAMP:20260522T145338
CREATED:20211220T100007Z
LAST-MODIFIED:20211220T100007Z
UID:11546-1641117600-1641142800@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-24/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/great-animal-orchestra-peabody-essex-museum-scaled-16.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220102T100000
DTEND;TZID=America/New_York:20220102T170000
DTSTAMP:20260522T145338
CREATED:20211220T100011Z
LAST-MODIFIED:20211220T100011Z
UID:11548-1641117600-1641142800@salemforallages.org
SUMMARY:Where the Questions Live: Closing Day with Wes Sam-Bruce
DESCRIPTION:Spend the day with artist Wes Sam-Bruce and explore his installation on its closing day. Embrace the possibility of a new year and create a collection of mantras\, or small reminders to live by.
URL:https://salemforallages.org/event/where-the-questions-live-closing-day-with-wes-sam-bruce/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/ENyTP3EWkAE0Oef.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220105T180000
DTEND;TZID=America/New_York:20220105T190000
DTSTAMP:20260522T145338
CREATED:20220103T100006Z
LAST-MODIFIED:20220103T100006Z
UID:11653-1641405600-1641409200@salemforallages.org
SUMMARY:Colonial Classics: Cheese Pudding Dinner
DESCRIPTION:We may not know whether Massachusetts Bay Colony British governor and Salem’s cofounder\nate the cheese pudding named for him — John Endicott’s Savory Cheese Pudding Dinner — but it’s\npossible. Early Puritans came here with cows. And cheese-making skills. And we do know palates in the\nmid-1600s appreciated the glories of cheese even if other pleasures like Christmas were off limits. \nOn Wednesday\, January 5\, from 6 to 7 p.m.\, all are invited to sign on to a live\, virtual cooking\ndemonstration hosted by Kaylee Redard and The House of the Seven Gables. To register for the event\,\nuse this link. It’s free\, but The Gables greatly appreciates donations of $10\, when possible\, to help cover\ncosts and to support the Settlement programs. Those who attend may chat with Redard and the staff\,\nand they will receive the pudding recipe that has been updated for contemporary cooks. \nThe New Year’s first Colonial Classics Food Demonstration leans on cheese not just because it’s tasty but\nbecause it was something colonists had access to. Back in Gov. Endicott’s day\, the cheese most used was\nlikely cheddar\, a forgiving cheese not so easily compromised by weather extremes.
URL:https://salemforallages.org/event/colonial-classics-cheese-pudding-dinner/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/243421866_10159006579093411_2165081791372343775_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220106T100000
DTEND;TZID=America/New_York:20220106T170000
DTSTAMP:20260522T145338
CREATED:20211220T100014Z
LAST-MODIFIED:20211220T100014Z
UID:11550-1641463200-1641488400@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-63/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220106T100000
DTEND;TZID=America/New_York:20220106T170000
DTSTAMP:20260522T145338
CREATED:20211220T100014Z
LAST-MODIFIED:20211220T100014Z
UID:11551-1641463200-1641488400@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-25/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/great-animal-orchestra-peabody-essex-museum-scaled-17.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220106T180000
DTEND;TZID=America/New_York:20220106T190000
DTSTAMP:20260522T145338
CREATED:20211220T100023Z
LAST-MODIFIED:20211220T100023Z
UID:11555-1641492000-1641495600@salemforallages.org
SUMMARY:City of Salem’s Annual Christmas Tree Bonfire
DESCRIPTION:Bring your Christmas tree with you that evening\, drop it off at the beach after January 2nd\, or leave it out for curbside pickup beginning December 28th\nPlease don’t forget to remove all decorations and lights from your tree\n(FYI – Citywide Christmas Tree Curbside Collection will take place for three weeks: December 28\, 2021 – January 14\, 2022)
URL:https://salemforallages.org/event/city-of-salems-annual-christmas-tree-bonfire/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/picSalemBonfire160106Tb_0101w.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220106T180000
DTEND;TZID=America/New_York:20220106T190000
DTSTAMP:20260522T145338
CREATED:20220102T100007Z
LAST-MODIFIED:20220102T100007Z
UID:11645-1641492000-1641495600@salemforallages.org
SUMMARY:City of Salem’s Annual Christmas Tree Bonfire *CANCELLED*
DESCRIPTION:Bring your Christmas tree with you that evening\, drop it off at the beach after January 2nd\, or leave it out for curbside pickup beginning December 28th\nPlease don’t forget to remove all decorations and lights from your tree\n(FYI – Citywide Christmas Tree Curbside Collection will take place for three weeks: December 28\, 2021 – January 14\, 2022)
URL:https://salemforallages.org/event/city-of-salems-annual-christmas-tree-bonfire-cancelled/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/picSalemBonfire160106Tb_0101w.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220106T180000
DTEND;TZID=America/New_York:20220106T193000
DTSTAMP:20260522T145338
CREATED:20211220T100020Z
LAST-MODIFIED:20211220T100020Z
UID:11553-1641492000-1641497400@salemforallages.org
SUMMARY:Winter Fireside Tales
DESCRIPTION:Warm-up in front of a fire with a drink in hand. Every winter season we’ll spend evenings to take an hour to learn about original lifestyles\, notable winters\, and infamous events this house stood witness to. Coffee and Tea will be provided. For those guests looking for a romantic evening of history\, this event is BYOB. So feel free to bring a bottle of wine\, beer\, or whatever you prefer.
URL:https://salemforallages.org/event/winter-fireside-tales/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/232859153.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220107T100000
DTEND;TZID=America/New_York:20220107T200000
DTSTAMP:20260522T145338
CREATED:20211220T100026Z
LAST-MODIFIED:20211220T100026Z
UID:11557-1641549600-1641585600@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-64/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220107T100000
DTEND;TZID=America/New_York:20220107T200000
DTSTAMP:20260522T145338
CREATED:20211221T100007Z
LAST-MODIFIED:20211221T100007Z
UID:11569-1641549600-1641585600@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-26/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/great-animal-orchestra-peabody-essex-museum-scaled-18.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220107T180000
DTEND;TZID=America/New_York:20220107T193000
DTSTAMP:20260522T145338
CREATED:20211222T100007Z
LAST-MODIFIED:20211222T100007Z
UID:11572-1641578400-1641583800@salemforallages.org
SUMMARY:Winter Fireside Tales
DESCRIPTION:Warm-up in front of a fire with a drink in hand. Every winter season we’ll spend evenings to take an hour to learn about original lifestyles\, notable winters\, and infamous events this house stood witness to. Coffee and Tea will be provided. For those guests looking for a romantic evening of history\, this event is BYOB. So feel free to bring a bottle of wine\, beer\, or whatever you prefer.
URL:https://salemforallages.org/event/winter-fireside-tales-2/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/232859153.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220107T200000
DTEND;TZID=America/New_York:20220107T200000
DTSTAMP:20260522T145338
CREATED:20211222T100007Z
LAST-MODIFIED:20211222T100007Z
UID:11573-1641585600-1641585600@salemforallages.org
SUMMARY:Boston Artists Ensemble “Mozart X 2”
DESCRIPTION:Boston Artists Ensemble presents “Mozart X 2” \n\n\nMozart: String Quintet No. 2 in C minor\, K. 406/516b \n\n\nMozart: String Quintet No. 3 in C major\, K. 515 \n\n\n??????Annual “Mystery Piece” — Guess the composer! \n\n\nClick here for tickets.
URL:https://salemforallages.org/event/boston-artists-ensemble-mozart-x-2-2/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/Untitleddesign7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220107T200000
DTEND;TZID=America/New_York:20220107T210000
DTSTAMP:20260522T145338
CREATED:20211223T100007Z
LAST-MODIFIED:20211223T100007Z
UID:11575-1641585600-1641589200@salemforallages.org
SUMMARY:H.P. Lovecraft & The Salem Connection
DESCRIPTION:H.P. Lovecraft is a writer from the early 20th century known for his fantastic stories in the genres of horror fiction\, fantasy and science fiction. He specialized in the weird that captured the imagination of many of his fans\, especially with the creature Cthulhu Mythos. He loved Providence where he was born\, but his second favorite city may have been Salem\, where he visited several times to seek inspiration for many of books. Join us for HP Lovecraft and the Salem Connection with S.T. Joshi\, the leading authority on Lovecraft\, his writings and his life. Joshi will give a presentation on Lovecraft that details his visits to Salem and how he used them in his various stories. The presentation will be followed by a Q & A session.
URL:https://salemforallages.org/event/h-p-lovecraft-the-salem-connection/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/BELIEFS-articleLarge.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220108
DTEND;VALUE=DATE:20220109
DTSTAMP:20260522T145338
CREATED:20220107T100005Z
LAST-MODIFIED:20220107T100005Z
UID:11663-1641600000-1641686399@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-14/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220108T100000
DTEND;TZID=America/New_York:20220108T170000
DTSTAMP:20260522T145338
CREATED:20211223T100010Z
LAST-MODIFIED:20211223T100010Z
UID:11577-1641636000-1641661200@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-65/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220108T100000
DTEND;TZID=America/New_York:20220108T170000
DTSTAMP:20260522T145338
CREATED:20211224T100006Z
LAST-MODIFIED:20211224T100006Z
UID:11578-1641636000-1641661200@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-27/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/great-animal-orchestra-peabody-essex-museum-scaled-19.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220108T180000
DTEND;TZID=America/New_York:20220108T193000
DTSTAMP:20260522T145338
CREATED:20211224T100011Z
LAST-MODIFIED:20211224T100011Z
UID:11580-1641664800-1641670200@salemforallages.org
SUMMARY:Winter Fireside Tales
DESCRIPTION:Warm-up in front of a fire with a drink in hand. Every winter season we’ll spend evenings to take an hour to learn about original lifestyles\, notable winters\, and infamous events this house stood witness to. Coffee and Tea will be provided. For those guests looking for a romantic evening of history\, this event is BYOB. So feel free to bring a bottle of wine\, beer\, or whatever you prefer.
URL:https://salemforallages.org/event/winter-fireside-tales-3/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/232859153.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220108T190000
DTEND;TZID=America/New_York:20220108T210000
DTSTAMP:20260522T145338
CREATED:20211224T100011Z
LAST-MODIFIED:20211224T100011Z
UID:11581-1641668400-1641675600@salemforallages.org
SUMMARY:Heavy Temple Live in Concert!
DESCRIPTION:This event has been postponed from its original date of December 4th\, 2021 to January 8. 2022. \n  \nJoin Philadelphia-based rockstars\, Heavy Temple\, for an intimate and rare performance at The Satanic Temple! \nIn support of Alex Reisfar’s exhibition\, The Death of Gods and Masters\, Heavy Temple will be playing their newest album\, Lupis Amoris\, which features Reisfar’s work! Meet and greet to follow. \nThe concert has a limited capacity of 20 people and is 18+. \n 
URL:https://salemforallages.org/event/heavy-temple-live-in-concert-2/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/11/HEAVY-TEMPLE-PROMO2_2048x.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220109
DTEND;VALUE=DATE:20220110
DTSTAMP:20260522T145338
CREATED:20220107T100012Z
LAST-MODIFIED:20220107T100012Z
UID:11665-1641686400-1641772799@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-15/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-2.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220109T100000
DTEND;TZID=America/New_York:20220109T170000
DTSTAMP:20260522T145338
CREATED:20211224T100012Z
LAST-MODIFIED:20211224T100012Z
UID:11583-1641722400-1641747600@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-28/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/great-animal-orchestra-peabody-essex-museum-scaled-20.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220109T100000
DTEND;TZID=America/New_York:20220109T170000
DTSTAMP:20260522T145338
CREATED:20211224T100012Z
LAST-MODIFIED:20211224T100012Z
UID:11582-1641722400-1641747600@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-66/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
END:VCALENDAR