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X-WR-CALDESC:Events for Salem for All Ages
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DTSTART;TZID=America/New_York:20220611T140000
DTEND;TZID=America/New_York:20220611T153000
DTSTAMP:20260508T112507
CREATED:20220605T090018Z
LAST-MODIFIED:20220605T090018Z
UID:13017-1654956000-1654961400@salemforallages.org
SUMMARY:Book Discussion – Deliberate Evil
DESCRIPTION:Join your neighbors for a book group discussion of Edward J. Renehan’s new book Deliberate Evil: Nathaniel Hawthorne\, Daniel Webster\, and the 1830 Murder of a Salem Slave Trader\, a contextualized account of the murder of Captain Joseph White on June 11th from 2 – 3:30pm. Residents of Salem’s downtown frequently walk past the Gardner-Pingree house on Essex Street but may not know the extent to which the Captain’s murder in that house provides a fascinating glimpse into antebellum Salem’s economy\, politics\, and class conflict. Facilitated by licensed city guide and former professor Rebecca Johnson\, we’ll explore how the murder and its aftermath continue to be relevant today.
URL:https://salemforallages.org/event/book-discussion-deliberate-evil/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Untitled-design-1-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220611T140000
DTEND;TZID=America/New_York:20220611T153000
DTSTAMP:20260508T112507
CREATED:20220605T090020Z
LAST-MODIFIED:20220605T090020Z
UID:13019-1654956000-1654961400@salemforallages.org
SUMMARY:Book Group: Deliberate Evil
DESCRIPTION:Join your neighbors for a book group discussion of Edward J. Renehan’s new book Deliberate Evil: Nathaniel Hawthorne\, Daniel Webster\, and the 1830 Murder of a Salem Slave Trader\, a contextualized account of the murder of Captain Joseph White. Residents of Salem’s downtown frequently walk past the Gardner-Pingree house on Essex Street but may not know the extent to which the Captain’s murder in that house provides a fascinating glimpse into antebellum Salem’s economy\, politics\, and class conflict. Facilitated by licensed city guide and former professor Rebecca Johnson\, we’ll explore how the murder and its aftermath continue to be relevant today.
URL:https://salemforallages.org/event/book-group-deliberate-evil/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Culture-House-Deliberate-Evil-Event-e1647372975926-880x620-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220611T180000
DTEND;TZID=America/New_York:20220611T200000
DTSTAMP:20260508T112507
CREATED:20220605T090024Z
LAST-MODIFIED:20220605T090024Z
UID:13021-1654970400-1654977600@salemforallages.org
SUMMARY:Satanic Social – June
DESCRIPTION:Join us for the second event in a recurring series of Satanic Socials! Come commune with your local Satanists\, meet and make friends\, see the Temple\, view the Art\, and learn what The Satanic Temple and Salem Art Gallery are all about! \nEnjoy complimentary adult libations and light snacks with special representatives from The Satanic Estate to premier The Miniature Estate. The Miniature Estate serves as both art installation and luxury product shelving. All products on this shelf support the efforts of The Satanic Estate via the Benefactors program. Benefactors of The Estate receive extremely rare Satanic objects in gratitude for their support. \nThe first collection to be featured is Antediluvian\, collaborators include @SerpentīnaeOfficial\, @Light_witch\, @CraftSatan\, @InfernalZoey\, @oddfoxinc\, @salemwitchwiles\, @thisisreallypixie \nThe Miniature Estate was created in collaboration with Melissa Gurr (@CraftSatan) and Zoey Inferni (@InfernalZoey). It is currently on loan to Salem Art Gallery from the private collection of Jack Matirko. The concept for The Miniature Estate came from Erika Adler\, Director of Salem Art Gallery. \nLearn more about becoming a Benefactor at benefactors.thesatanic.estate
URL:https://salemforallages.org/event/satanic-social-june/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Satanic_Social_1920_1005_px_2_ESTATE2-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220611T183000
DTEND;TZID=America/New_York:20220611T203000
DTSTAMP:20260508T112507
CREATED:20220608T090013Z
LAST-MODIFIED:20220608T090013Z
UID:13056-1654972200-1654979400@salemforallages.org
SUMMARY:Real Pirates Speaker Series No.1
DESCRIPTION:Why do pirates say “arrr” and never have enough rum? Pull alongside as Jennifer Emerson spins a lively tale of how the brand narrative of screen pirates evolved in cinema – from their screen debut to Curse of the Black Pearl – and how they came to make their mark on popular culture. \nPrice: \n$16.50 includes a guided tour of the museum. \nTime: \n6:30 museum tour. 7:00pm presentation. \nThe great granddaughter of the captain of a fishing schooner (built in Gloucester’s Essex Story Yard)\, and the daughter of a Submariner\, Jennifer is proud of her maritime roots. \nFrom First-Person Interpreter to Curator\, she brings over twenty years of museum and performing experience to her creative work. During her eleven years at Mystic Seaport (Mystic\, CT) her passion for maritime history led to a deep dive into whaling in the great age of sail\, early 20th century New England fisheries\, the daily life of ordinary sailors\, and the folks ashore to tried to ensure they got a fair deal. Though she did not serve on the staff as a Chanteyman\, she was trained during her time there. \nAt the age of five\, Jennifer saw Treasure Island for the first time. Disney’s 1950 Technicolor masterpiece captured her imagination. But it was John Huston’s 1956 adaptation of Moby-Dick that sold that little girl on high seas adventure. Combined with a love of acting and the daily lives of ordinary sailors\, her search for connecting themes in pirate films began. \nJennifer holds a BA in Theatre Arts\, Speech & Film from Keene State College and an MFA in Creative Writing from Fairfield University. She lives and works in Salem: both in her own performance company\, The Petticoat Pages\, but also as Special Projects Coordinator for Intramersive Media.
URL:https://salemforallages.org/event/real-pirates-speaker-series-no-1/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/04/unnamed-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220612
DTEND;VALUE=DATE:20220613
DTSTAMP:20260508T112507
CREATED:20220605T090027Z
LAST-MODIFIED:20220605T090027Z
UID:13023-1654992000-1655078399@salemforallages.org
SUMMARY:‘Caitlin Karolczak: Imitations of Mortality’ at the Satanic Temple
DESCRIPTION:Throughout history\, women have been more commonly recalled as muses than artists. Karolczak lays claim to both\, using both self-portraiture and other imagery in reclamation of identity. Her art practice also exhibits a preoccupation with the male portrait\, examining prevalent notions of fetishization and oft-not-seen vulnerability. Karolczak’s richly layered works combine age-old painting techniques with bold\, contemporary mediums. Featuring countless brushstrokes and translucent layers of pigment combined with uncommonly used mediums such as neon\, enamel and metal leaf\, Karolczak’s work truly stands out in the genre of figurative art. \nCaitlin Karolczak was born on Minnesota’s Iron Range. She attended the University of MN at 16\, where she received a BFA in Fine Arts and a BA in Art History with an emphasis in 19th century medical photography. \nIn addition to painting Karolczak\, pursues installation\, sculpture\, and performance art\, often incorporating objects of biology and antiquity from her personal collection. \nKarolczak has exhibited internationally in Bogotá\, Vancouver\, New York\, Miami\, Minneapolis\, Belgium\, Germany and more. Her work is in numerous collections across the US as well as Australia\, South America\, UK\, Canada\, Israel & South Africa. She has been interviewed by art publications in Australia\, South America\, Croatia\, & the USA. \nImage: Recoil\, Oil and encaustic on canvas\, 48″ x 72″.  2022
URL:https://salemforallages.org/event/caitlin-karolczak-imitations-of-mortality-at-the-satanic-temple-19/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/KarolczakCaitlin_Recoil_Horizontal-scaled-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220612T100000
DTEND;TZID=America/New_York:20220612T160000
DTSTAMP:20260508T112507
CREATED:20220605T090030Z
LAST-MODIFIED:20220605T090030Z
UID:13025-1655028000-1655049600@salemforallages.org
SUMMARY:‘Dominican Faceless Dolls’ at Salem Armory Regional Visitor Center
DESCRIPTION:Salem Maritime National Historic Site announces the installation of Dominican Faceless Dolls\, a bilingual (English/Spanish) exhibit on display May 7 – June 30\, Wednesday – Sunday\, 10 am – 4pm at the Salem Armory Regional Visitor Center\, 2 New Liberty Street in Salem. Co-created with North Shore Community Development Coalition (North Shore CDC)\, the exhibit celebrates Salem’s global connections and Caribbean culture with artwork and stories by residents of the Point neighborhood (also known as El Punto).\n\nDominican Faceless Dolls inspiration stems from a popular handicraft of the Dominican Republic\, Muñecas Limé. These small\, ceramic figures that lack faces symbolize Dominican women\, culture and diversity. “Dominican Faceless Dolls fosters a connection with new and existing audiences to find cultural relevancy at the site specifically with Essex County’s Latinx community\,” said Program Manager of Visitor Experience and Community Engagement\, Susan Russo. \n“We are grateful for this partnership with Salem Maritime\,” said North Shore CDC Chief Executive Officer\, Mickey Northcutt. “The exhibit honors the beautiful cultural significance of the Dominican faceless dolls and people of the Dominican community in Salem.” \n“This exhibition is special because it offers people from all walks of life\, who are either familiar with these dolls or learning about them for the first time\, the opportunity to share their own stories through creative expression”\, said Yinette Guzman\, Design & Placemaking Project Manager at North Shore CDC. “These new works of art continue the tradition of Muñecas Limé and represent the identity and cultural heritage of each artist.” \nThe North Shore CDC selected nineteen paper dolls and three artist stories for Dominican Faceless Dolls. With bios\, poems\, and personalized\, paper dolls\, the exhibit shares Salem stories of migration\, heritage\, and intersecting identities. The co-creators of the exhibit invite visitors to share their own stories on interactive panels with questions centered on discovery of self and community. \nThe National Park Service extends special thanks to the Latino Heritage Internship Program (LHIP). Dominican Faceless Dolls follows a 2021 exhibit proposal and a series of online resources developed by LHIP interns Tahmoor Chadury and Karla Bonilla. Visitors are invited to further explore and make their own faceless\, paper doll by visiting www.nps.gov/articles/000/faceless-dolls.htm.
URL:https://salemforallages.org/event/dominican-faceless-dolls-at-salem-armory-regional-visitor-center-27/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Salem-Maritime-Exhibit-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220612T100000
DTEND;TZID=America/New_York:20220612T180000
DTSTAMP:20260508T112507
CREATED:20220605T090033Z
LAST-MODIFIED:20220605T090033Z
UID:13027-1655028000-1655056800@salemforallages.org
SUMMARY:Hands-on History
DESCRIPTION:Each weekend this summer we invite young (and young at heart!) guests to explore different elements of colonial life through hands-on activities. These drop-in programs will run during regular hours of operation on Saturdays and Sundays and are free with the purchase of admission. The different activities will be scheduled on an eight-week cycle from May 28 through August 28. \nTopics include: \n\nColonial Toys\nLife at Sea\nConstructing History\nQuill writing\nand more!\n\nWe hope to see you soon for some hands-on fun!
URL:https://salemforallages.org/event/hands-on-history-6/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Hands-on-History-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220612T130000
DTEND;TZID=America/New_York:20220612T150000
DTSTAMP:20260508T112507
CREATED:20220605T090034Z
LAST-MODIFIED:20220605T090034Z
UID:13028-1655038800-1655046000@salemforallages.org
SUMMARY:Rainbow Sponge Posters at the PEM
DESCRIPTION:Every Saturday and Sunday in June from 1-3pm except Sunday\, June 19th \nIncluded with admission \nHappy Pride Month! Pride is all about being yourself\, showing off your colors\, and supporting the LGBTQ+ community. Grab your sponges and your paint to join us as we create beautiful rainbow posters to celebrate pride month. \nLocation: Create Space
URL:https://salemforallages.org/event/rainbow-sponge-posters-at-the-pem-4/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/05/PEMJuneArt.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220612T130000
DTEND;TZID=America/New_York:20220612T200000
DTSTAMP:20260508T112507
CREATED:20220605T090034Z
LAST-MODIFIED:20220605T090034Z
UID:13029-1655038800-1655064000@salemforallages.org
SUMMARY:My Journey to Morocco
DESCRIPTION:Indra Persad Milowe is a Trinidad born visual artist living and working in Salem\, Massachusetts\, U.S.A. Her art brings to life many of her childhood memories of growing up in Trinidad in the 1950’s and 1960’s. \nMy interest is in nature\, still life and design. I adored my St. Augustine Girls High School art teacher\, Mrs. Helga Mohammed from Madrid\, Spain. She was married to a Trinidadian. On my first day in her class at age 12\, written on her blackboard was: “Art is not only a painting hanging up on a wall\, art is in every aspect of your daily life.” These words have stuck in my head ever since. My paintings were chosen for the high school’s yearbook for two consecutive years. At age 15\, I painted from nature\, orchids on a branch. At age 16\, I did a still life\, a display of an apple\, pear\, and a bunch of grapes. Those two paintings and all the incredible reviews that came with them lifted my confidence in my artwork. There is a personal story behind every one of my paintings. I painted every single festival celebrated in Trinidad as well as all the folklore stories that I heard while growing up. \nI retired from general\, ophthalmic and psychiatric nursing in 2019 after having worked in England\, Malta\, Trinidad and the United States. Through British Nurses Overseas\, I was able to work in different countries. Ultimately\, I decided to go back to art during my retirement. I prefer working on canvas with multi-colored and gold acrylic paints.
URL:https://salemforallages.org/event/my-journey-to-morocco-5/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Prague-Spring-2008-195-930x620-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220612T150000
DTEND;TZID=America/New_York:20220612T150000
DTSTAMP:20260508T112507
CREATED:20220605T090034Z
LAST-MODIFIED:20220605T090034Z
UID:13030-1655046000-1655046000@salemforallages.org
SUMMARY:Reading Frederick Douglass Together
DESCRIPTION:The Salem Athenaeum will host a public reading of Frederick Douglass’s speech\, “What to the Slave Is the Fourth of July” featuring members of the North Shore community. Douglass first gave this speech\, perhaps his most famous\, in Rochester\, New York on July 5\, 1852. As an acclaimed abolitionist orator and agent for The Massachusetts Anti-Slavery Society\, Douglass gave many speeches across the North and Midwest United States\, including in Salem. \nThe reading will be followed by a reception where we encourage the audience and readers to continue the conversation.  Light refreshments will be served. \nThis event is free to the public.  If attendees would like to contribute to the event\, donations in the form of food\, grocery gift cards\, or money will be gratefully accepted on behalf of The Salem Pantry \nThis program is made possible by a grant from Mass Humanities\, which provided funding through the Massachusetts Cultural Council (MCC). \nReserve a seat! \nhttps://salemathenaeum.salsalabs.org/readingfrederickdouglass/index.html
URL:https://salemforallages.org/event/reading-frederick-douglass-together/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/941dc5de-9f38-4304-b910-b302e8c5fde5-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220612T150000
DTEND;TZID=America/New_York:20220612T160000
DTSTAMP:20260508T112507
CREATED:20220605T090037Z
LAST-MODIFIED:20220605T090037Z
UID:13032-1655046000-1655049600@salemforallages.org
SUMMARY:Exploring a Collection Treasure: PEM’s 19th-Century Japanese Fish Scroll
DESCRIPTION:Japanese art historian Midori Oka presents a fascinating lecture on one of PEM’s treasures — a 20-foot-long Japanese handscroll decorated with fish and sea creatures. This scroll was the original sketch for the embroidered designs on a 19th-century parade float cover still used during the annual Nagasaki Kunchi Festival — a celebration of the city’s history and its special connection to international trade. \nThis program is dedicated to the memory of Robert Jay Hamburger (1941–2021) and his deep and lifelong commitment to Japanese art and culture.
URL:https://salemforallages.org/event/exploring-a-collection-treasure-pems-19th-century-japanese-fish-scroll/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/FishPEM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220613
DTEND;VALUE=DATE:20220614
DTSTAMP:20260508T112507
CREATED:20220606T090010Z
LAST-MODIFIED:20220606T090010Z
UID:13034-1655078400-1655164799@salemforallages.org
SUMMARY:‘Caitlin Karolczak: Imitations of Mortality’ at the Satanic Temple
DESCRIPTION:Throughout history\, women have been more commonly recalled as muses than artists. Karolczak lays claim to both\, using both self-portraiture and other imagery in reclamation of identity. Her art practice also exhibits a preoccupation with the male portrait\, examining prevalent notions of fetishization and oft-not-seen vulnerability. Karolczak’s richly layered works combine age-old painting techniques with bold\, contemporary mediums. Featuring countless brushstrokes and translucent layers of pigment combined with uncommonly used mediums such as neon\, enamel and metal leaf\, Karolczak’s work truly stands out in the genre of figurative art. \nCaitlin Karolczak was born on Minnesota’s Iron Range. She attended the University of MN at 16\, where she received a BFA in Fine Arts and a BA in Art History with an emphasis in 19th century medical photography. \nIn addition to painting Karolczak\, pursues installation\, sculpture\, and performance art\, often incorporating objects of biology and antiquity from her personal collection. \nKarolczak has exhibited internationally in Bogotá\, Vancouver\, New York\, Miami\, Minneapolis\, Belgium\, Germany and more. Her work is in numerous collections across the US as well as Australia\, South America\, UK\, Canada\, Israel & South Africa. She has been interviewed by art publications in Australia\, South America\, Croatia\, & the USA. \nImage: Recoil\, Oil and encaustic on canvas\, 48″ x 72″.  2022
URL:https://salemforallages.org/event/caitlin-karolczak-imitations-of-mortality-at-the-satanic-temple-20/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/KarolczakCaitlin_Recoil_Horizontal-scaled-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220613T130000
DTEND;TZID=America/New_York:20220613T200000
DTSTAMP:20260508T112507
CREATED:20220606T090016Z
LAST-MODIFIED:20220606T090016Z
UID:13036-1655125200-1655150400@salemforallages.org
SUMMARY:My Journey to Morocco
DESCRIPTION:Indra Persad Milowe is a Trinidad born visual artist living and working in Salem\, Massachusetts\, U.S.A. Her art brings to life many of her childhood memories of growing up in Trinidad in the 1950’s and 1960’s. \nMy interest is in nature\, still life and design. I adored my St. Augustine Girls High School art teacher\, Mrs. Helga Mohammed from Madrid\, Spain. She was married to a Trinidadian. On my first day in her class at age 12\, written on her blackboard was: “Art is not only a painting hanging up on a wall\, art is in every aspect of your daily life.” These words have stuck in my head ever since. My paintings were chosen for the high school’s yearbook for two consecutive years. At age 15\, I painted from nature\, orchids on a branch. At age 16\, I did a still life\, a display of an apple\, pear\, and a bunch of grapes. Those two paintings and all the incredible reviews that came with them lifted my confidence in my artwork. There is a personal story behind every one of my paintings. I painted every single festival celebrated in Trinidad as well as all the folklore stories that I heard while growing up. \nI retired from general\, ophthalmic and psychiatric nursing in 2019 after having worked in England\, Malta\, Trinidad and the United States. Through British Nurses Overseas\, I was able to work in different countries. Ultimately\, I decided to go back to art during my retirement. I prefer working on canvas with multi-colored and gold acrylic paints.
URL:https://salemforallages.org/event/my-journey-to-morocco-6/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Prague-Spring-2008-195-930x620-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220614
DTEND;VALUE=DATE:20220615
DTSTAMP:20260508T112507
CREATED:20220606T090017Z
LAST-MODIFIED:20220606T090017Z
UID:13037-1655164800-1655251199@salemforallages.org
SUMMARY:‘Caitlin Karolczak: Imitations of Mortality’ at the Satanic Temple
DESCRIPTION:Throughout history\, women have been more commonly recalled as muses than artists. Karolczak lays claim to both\, using both self-portraiture and other imagery in reclamation of identity. Her art practice also exhibits a preoccupation with the male portrait\, examining prevalent notions of fetishization and oft-not-seen vulnerability. Karolczak’s richly layered works combine age-old painting techniques with bold\, contemporary mediums. Featuring countless brushstrokes and translucent layers of pigment combined with uncommonly used mediums such as neon\, enamel and metal leaf\, Karolczak’s work truly stands out in the genre of figurative art. \nCaitlin Karolczak was born on Minnesota’s Iron Range. She attended the University of MN at 16\, where she received a BFA in Fine Arts and a BA in Art History with an emphasis in 19th century medical photography. \nIn addition to painting Karolczak\, pursues installation\, sculpture\, and performance art\, often incorporating objects of biology and antiquity from her personal collection. \nKarolczak has exhibited internationally in Bogotá\, Vancouver\, New York\, Miami\, Minneapolis\, Belgium\, Germany and more. Her work is in numerous collections across the US as well as Australia\, South America\, UK\, Canada\, Israel & South Africa. She has been interviewed by art publications in Australia\, South America\, Croatia\, & the USA. \nImage: Recoil\, Oil and encaustic on canvas\, 48″ x 72″.  2022
URL:https://salemforallages.org/event/caitlin-karolczak-imitations-of-mortality-at-the-satanic-temple-21/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/KarolczakCaitlin_Recoil_Horizontal-scaled-5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220614T130000
DTEND;TZID=America/New_York:20220614T200000
DTSTAMP:20260508T112507
CREATED:20220606T090020Z
LAST-MODIFIED:20220606T090020Z
UID:13039-1655211600-1655236800@salemforallages.org
SUMMARY:My Journey to Morocco
DESCRIPTION:Indra Persad Milowe is a Trinidad born visual artist living and working in Salem\, Massachusetts\, U.S.A. Her art brings to life many of her childhood memories of growing up in Trinidad in the 1950’s and 1960’s. \nMy interest is in nature\, still life and design. I adored my St. Augustine Girls High School art teacher\, Mrs. Helga Mohammed from Madrid\, Spain. She was married to a Trinidadian. On my first day in her class at age 12\, written on her blackboard was: “Art is not only a painting hanging up on a wall\, art is in every aspect of your daily life.” These words have stuck in my head ever since. My paintings were chosen for the high school’s yearbook for two consecutive years. At age 15\, I painted from nature\, orchids on a branch. At age 16\, I did a still life\, a display of an apple\, pear\, and a bunch of grapes. Those two paintings and all the incredible reviews that came with them lifted my confidence in my artwork. There is a personal story behind every one of my paintings. I painted every single festival celebrated in Trinidad as well as all the folklore stories that I heard while growing up. \nI retired from general\, ophthalmic and psychiatric nursing in 2019 after having worked in England\, Malta\, Trinidad and the United States. Through British Nurses Overseas\, I was able to work in different countries. Ultimately\, I decided to go back to art during my retirement. I prefer working on canvas with multi-colored and gold acrylic paints.
URL:https://salemforallages.org/event/my-journey-to-morocco-7/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Prague-Spring-2008-195-930x620-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220614T180000
DTEND;TZID=America/New_York:20220614T200000
DTSTAMP:20260508T112507
CREATED:20220606T090021Z
LAST-MODIFIED:20220606T090021Z
UID:13040-1655229600-1655236800@salemforallages.org
SUMMARY:Remembering Derby Street
DESCRIPTION:Join us as we welcome Salem native Richard Tobin as he transports us back to Derby Street in the 1940s and ’50s! Tobin was brought up in an Irish family in the Polish neighborhood of Salem and was an active participant in the House of the Seven Gables Settlement Association.\n>>Register here<<
URL:https://salemforallages.org/event/remembering-derby-street/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Remembering-Derby-Street.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220615
DTEND;VALUE=DATE:20220616
DTSTAMP:20260508T112507
CREATED:20220606T090024Z
LAST-MODIFIED:20220606T090024Z
UID:13042-1655251200-1655337599@salemforallages.org
SUMMARY:‘Caitlin Karolczak: Imitations of Mortality’ at the Satanic Temple
DESCRIPTION:Throughout history\, women have been more commonly recalled as muses than artists. Karolczak lays claim to both\, using both self-portraiture and other imagery in reclamation of identity. Her art practice also exhibits a preoccupation with the male portrait\, examining prevalent notions of fetishization and oft-not-seen vulnerability. Karolczak’s richly layered works combine age-old painting techniques with bold\, contemporary mediums. Featuring countless brushstrokes and translucent layers of pigment combined with uncommonly used mediums such as neon\, enamel and metal leaf\, Karolczak’s work truly stands out in the genre of figurative art. \nCaitlin Karolczak was born on Minnesota’s Iron Range. She attended the University of MN at 16\, where she received a BFA in Fine Arts and a BA in Art History with an emphasis in 19th century medical photography. \nIn addition to painting Karolczak\, pursues installation\, sculpture\, and performance art\, often incorporating objects of biology and antiquity from her personal collection. \nKarolczak has exhibited internationally in Bogotá\, Vancouver\, New York\, Miami\, Minneapolis\, Belgium\, Germany and more. Her work is in numerous collections across the US as well as Australia\, South America\, UK\, Canada\, Israel & South Africa. She has been interviewed by art publications in Australia\, South America\, Croatia\, & the USA. \nImage: Recoil\, Oil and encaustic on canvas\, 48″ x 72″.  2022
URL:https://salemforallages.org/event/caitlin-karolczak-imitations-of-mortality-at-the-satanic-temple-22/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/KarolczakCaitlin_Recoil_Horizontal-scaled-6.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220615T100000
DTEND;TZID=America/New_York:20220615T160000
DTSTAMP:20260508T112507
CREATED:20220606T090028Z
LAST-MODIFIED:20220606T090028Z
UID:13044-1655287200-1655308800@salemforallages.org
SUMMARY:‘Dominican Faceless Dolls’ at Salem Armory Regional Visitor Center
DESCRIPTION:Salem Maritime National Historic Site announces the installation of Dominican Faceless Dolls\, a bilingual (English/Spanish) exhibit on display May 7 – June 30\, Wednesday – Sunday\, 10 am – 4pm at the Salem Armory Regional Visitor Center\, 2 New Liberty Street in Salem. Co-created with North Shore Community Development Coalition (North Shore CDC)\, the exhibit celebrates Salem’s global connections and Caribbean culture with artwork and stories by residents of the Point neighborhood (also known as El Punto).\n\nDominican Faceless Dolls inspiration stems from a popular handicraft of the Dominican Republic\, Muñecas Limé. These small\, ceramic figures that lack faces symbolize Dominican women\, culture and diversity. “Dominican Faceless Dolls fosters a connection with new and existing audiences to find cultural relevancy at the site specifically with Essex County’s Latinx community\,” said Program Manager of Visitor Experience and Community Engagement\, Susan Russo. \n“We are grateful for this partnership with Salem Maritime\,” said North Shore CDC Chief Executive Officer\, Mickey Northcutt. “The exhibit honors the beautiful cultural significance of the Dominican faceless dolls and people of the Dominican community in Salem.” \n“This exhibition is special because it offers people from all walks of life\, who are either familiar with these dolls or learning about them for the first time\, the opportunity to share their own stories through creative expression”\, said Yinette Guzman\, Design & Placemaking Project Manager at North Shore CDC. “These new works of art continue the tradition of Muñecas Limé and represent the identity and cultural heritage of each artist.” \nThe North Shore CDC selected nineteen paper dolls and three artist stories for Dominican Faceless Dolls. With bios\, poems\, and personalized\, paper dolls\, the exhibit shares Salem stories of migration\, heritage\, and intersecting identities. The co-creators of the exhibit invite visitors to share their own stories on interactive panels with questions centered on discovery of self and community. \nThe National Park Service extends special thanks to the Latino Heritage Internship Program (LHIP). Dominican Faceless Dolls follows a 2021 exhibit proposal and a series of online resources developed by LHIP interns Tahmoor Chadury and Karla Bonilla. Visitors are invited to further explore and make their own faceless\, paper doll by visiting www.nps.gov/articles/000/faceless-dolls.htm.
URL:https://salemforallages.org/event/dominican-faceless-dolls-at-salem-armory-regional-visitor-center-28/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Salem-Maritime-Exhibit-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220615T130000
DTEND;TZID=America/New_York:20220615T180000
DTSTAMP:20260508T112507
CREATED:20220609T090014Z
LAST-MODIFIED:20220609T090014Z
UID:13057-1655298000-1655316000@salemforallages.org
SUMMARY:‘Psychomanteum’ at Old Town Hall
DESCRIPTION:Open your mind and enter the Psychomanteum; a unique experiential installation that explores the psyche. Intertwining mythological practices\, psychological techniques\, and physiological responses\, the Psychomanteum allows participants to interact with the specters residing in their conscious and subconscious.
URL:https://salemforallages.org/event/psychomanteum-at-old-town-hall-25/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/05/psychomanteum_web_rectangle.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220615T130000
DTEND;TZID=America/New_York:20220615T180000
DTSTAMP:20260508T112507
CREATED:20220609T090014Z
LAST-MODIFIED:20220609T090014Z
UID:13058-1655298000-1655316000@salemforallages.org
SUMMARY:Culture House
DESCRIPTION:The City of Salem and CultureHouse have partnered to open a three-month-long community arts and culture pop-up hosted at Old Town Hall in Downtown Salem. CultureHouse Salem transforms the historic structure into a vibrant\, connected\, and accessible destination that supports local creatives. The short-term goal of this project is to activate this underused community resource and create a space for people to connect and engage with local artists and creatives. In the long term\, this project serves as an incubator and testing site for future programming models for Old Town Hall. Learn more about Old Town Hall here. \nUpcoming Events: \nFurniture ART Vendor 6/11 Time 2pm-6pm \nIdeas\, Not Theories Bicycle Orchestra 6/11 Time 5pm-7pm \nAcrylic Pour Workshop 6/17 Time 4pm-6pm \nAntique Sale 6/18 Time 1pm-6pm \nVelvet Dirt Munchers 6/18 Time 5pm-7pm \nComedy Story Open-mic 06/24 Time 6pm-8pm \nDriftwood design exhibit 6/25 Time 1pm-6pm \nTactical Bouzouki Performance 6/30 Time 4pm-6pm
URL:https://salemforallages.org/event/culture-house-9/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Untitled-design-scaled-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220615T130000
DTEND;TZID=America/New_York:20220615T200000
DTSTAMP:20260508T112507
CREATED:20220609T090020Z
LAST-MODIFIED:20220609T090020Z
UID:13060-1655298000-1655323200@salemforallages.org
SUMMARY:My Journey to Morocco
DESCRIPTION:Indra Persad Milowe is a Trinidad born visual artist living and working in Salem\, Massachusetts\, U.S.A. Her art brings to life many of her childhood memories of growing up in Trinidad in the 1950’s and 1960’s. \nMy interest is in nature\, still life and design. I adored my St. Augustine Girls High School art teacher\, Mrs. Helga Mohammed from Madrid\, Spain. She was married to a Trinidadian. On my first day in her class at age 12\, written on her blackboard was: “Art is not only a painting hanging up on a wall\, art is in every aspect of your daily life.” These words have stuck in my head ever since. My paintings were chosen for the high school’s yearbook for two consecutive years. At age 15\, I painted from nature\, orchids on a branch. At age 16\, I did a still life\, a display of an apple\, pear\, and a bunch of grapes. Those two paintings and all the incredible reviews that came with them lifted my confidence in my artwork. There is a personal story behind every one of my paintings. I painted every single festival celebrated in Trinidad as well as all the folklore stories that I heard while growing up. \nI retired from general\, ophthalmic and psychiatric nursing in 2019 after having worked in England\, Malta\, Trinidad and the United States. Through British Nurses Overseas\, I was able to work in different countries. Ultimately\, I decided to go back to art during my retirement. I prefer working on canvas with multi-colored and gold acrylic paints.
URL:https://salemforallages.org/event/my-journey-to-morocco-8/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Prague-Spring-2008-195-930x620-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220615T183000
DTEND;TZID=America/New_York:20220615T193000
DTSTAMP:20260508T112507
CREATED:20220609T090020Z
LAST-MODIFIED:20220609T090020Z
UID:13061-1655317800-1655321400@salemforallages.org
SUMMARY:Wild Sea Wellness Yoga Partnership
DESCRIPTION:Welcome the grounding and illuminating energy of the Full Moon in Virgo with a lunar flow vinyasa and guided full moon meditation. We will meet indoors in the spacious Holyoke Room at the Visitors Center of the House of the Seven Gables in Salem MA. Please bring your own props and mats. Masks and proof of vaccine will be required.
URL:https://salemforallages.org/event/wild-sea-wellness-yoga-partnership/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/WSW_Web_SEO_Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220616
DTEND;VALUE=DATE:20220617
DTSTAMP:20260508T112507
CREATED:20220609T090023Z
LAST-MODIFIED:20220609T090023Z
UID:13063-1655337600-1655423999@salemforallages.org
SUMMARY:‘Caitlin Karolczak: Imitations of Mortality’ at the Satanic Temple
DESCRIPTION:Throughout history\, women have been more commonly recalled as muses than artists. Karolczak lays claim to both\, using both self-portraiture and other imagery in reclamation of identity. Her art practice also exhibits a preoccupation with the male portrait\, examining prevalent notions of fetishization and oft-not-seen vulnerability. Karolczak’s richly layered works combine age-old painting techniques with bold\, contemporary mediums. Featuring countless brushstrokes and translucent layers of pigment combined with uncommonly used mediums such as neon\, enamel and metal leaf\, Karolczak’s work truly stands out in the genre of figurative art. \nCaitlin Karolczak was born on Minnesota’s Iron Range. She attended the University of MN at 16\, where she received a BFA in Fine Arts and a BA in Art History with an emphasis in 19th century medical photography. \nIn addition to painting Karolczak\, pursues installation\, sculpture\, and performance art\, often incorporating objects of biology and antiquity from her personal collection. \nKarolczak has exhibited internationally in Bogotá\, Vancouver\, New York\, Miami\, Minneapolis\, Belgium\, Germany and more. Her work is in numerous collections across the US as well as Australia\, South America\, UK\, Canada\, Israel & South Africa. She has been interviewed by art publications in Australia\, South America\, Croatia\, & the USA. \nImage: Recoil\, Oil and encaustic on canvas\, 48″ x 72″.  2022
URL:https://salemforallages.org/event/caitlin-karolczak-imitations-of-mortality-at-the-satanic-temple-23/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/KarolczakCaitlin_Recoil_Horizontal-scaled-7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220616T100000
DTEND;TZID=America/New_York:20220616T160000
DTSTAMP:20260508T112507
CREATED:20220609T090026Z
LAST-MODIFIED:20220609T090026Z
UID:13065-1655373600-1655395200@salemforallages.org
SUMMARY:‘Dominican Faceless Dolls’ at Salem Armory Regional Visitor Center
DESCRIPTION:Salem Maritime National Historic Site announces the installation of Dominican Faceless Dolls\, a bilingual (English/Spanish) exhibit on display May 7 – June 30\, Wednesday – Sunday\, 10 am – 4pm at the Salem Armory Regional Visitor Center\, 2 New Liberty Street in Salem. Co-created with North Shore Community Development Coalition (North Shore CDC)\, the exhibit celebrates Salem’s global connections and Caribbean culture with artwork and stories by residents of the Point neighborhood (also known as El Punto).\n\nDominican Faceless Dolls inspiration stems from a popular handicraft of the Dominican Republic\, Muñecas Limé. These small\, ceramic figures that lack faces symbolize Dominican women\, culture and diversity. “Dominican Faceless Dolls fosters a connection with new and existing audiences to find cultural relevancy at the site specifically with Essex County’s Latinx community\,” said Program Manager of Visitor Experience and Community Engagement\, Susan Russo. \n“We are grateful for this partnership with Salem Maritime\,” said North Shore CDC Chief Executive Officer\, Mickey Northcutt. “The exhibit honors the beautiful cultural significance of the Dominican faceless dolls and people of the Dominican community in Salem.” \n“This exhibition is special because it offers people from all walks of life\, who are either familiar with these dolls or learning about them for the first time\, the opportunity to share their own stories through creative expression”\, said Yinette Guzman\, Design & Placemaking Project Manager at North Shore CDC. “These new works of art continue the tradition of Muñecas Limé and represent the identity and cultural heritage of each artist.” \nThe North Shore CDC selected nineteen paper dolls and three artist stories for Dominican Faceless Dolls. With bios\, poems\, and personalized\, paper dolls\, the exhibit shares Salem stories of migration\, heritage\, and intersecting identities. The co-creators of the exhibit invite visitors to share their own stories on interactive panels with questions centered on discovery of self and community. \nThe National Park Service extends special thanks to the Latino Heritage Internship Program (LHIP). Dominican Faceless Dolls follows a 2021 exhibit proposal and a series of online resources developed by LHIP interns Tahmoor Chadury and Karla Bonilla. Visitors are invited to further explore and make their own faceless\, paper doll by visiting www.nps.gov/articles/000/faceless-dolls.htm.
URL:https://salemforallages.org/event/dominican-faceless-dolls-at-salem-armory-regional-visitor-center-29/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Salem-Maritime-Exhibit-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220616T130000
DTEND;TZID=America/New_York:20220616T180000
DTSTAMP:20260508T112507
CREATED:20220610T090016Z
LAST-MODIFIED:20220610T090016Z
UID:13069-1655384400-1655402400@salemforallages.org
SUMMARY:‘Psychomanteum’ at Old Town Hall
DESCRIPTION:Open your mind and enter the Psychomanteum; a unique experiential installation that explores the psyche. Intertwining mythological practices\, psychological techniques\, and physiological responses\, the Psychomanteum allows participants to interact with the specters residing in their conscious and subconscious.
URL:https://salemforallages.org/event/psychomanteum-at-old-town-hall-26/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/05/psychomanteum_web_rectangle.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220616T130000
DTEND;TZID=America/New_York:20220616T180000
DTSTAMP:20260508T112507
CREATED:20220610T090017Z
LAST-MODIFIED:20220610T090017Z
UID:13070-1655384400-1655402400@salemforallages.org
SUMMARY:Culture House
DESCRIPTION:The City of Salem and CultureHouse have partnered to open a three-month-long community arts and culture pop-up hosted at Old Town Hall in Downtown Salem. CultureHouse Salem transforms the historic structure into a vibrant\, connected\, and accessible destination that supports local creatives. The short-term goal of this project is to activate this underused community resource and create a space for people to connect and engage with local artists and creatives. In the long term\, this project serves as an incubator and testing site for future programming models for Old Town Hall. Learn more about Old Town Hall here. \nUpcoming Events: \nFurniture ART Vendor 6/11 Time 2pm-6pm \nIdeas\, Not Theories Bicycle Orchestra 6/11 Time 5pm-7pm \nAcrylic Pour Workshop 6/17 Time 4pm-6pm \nAntique Sale 6/18 Time 1pm-6pm \nVelvet Dirt Munchers 6/18 Time 5pm-7pm \nComedy Story Open-mic 06/24 Time 6pm-8pm \nDriftwood design exhibit 6/25 Time 1pm-6pm \nTactical Bouzouki Performance 6/30 Time 4pm-6pm
URL:https://salemforallages.org/event/culture-house-10/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Untitled-design-scaled-5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220616T130000
DTEND;TZID=America/New_York:20220616T200000
DTSTAMP:20260508T112507
CREATED:20220610T090022Z
LAST-MODIFIED:20220610T090022Z
UID:13072-1655384400-1655409600@salemforallages.org
SUMMARY:My Journey to Morocco
DESCRIPTION:Indra Persad Milowe is a Trinidad born visual artist living and working in Salem\, Massachusetts\, U.S.A. Her art brings to life many of her childhood memories of growing up in Trinidad in the 1950’s and 1960’s. \nMy interest is in nature\, still life and design. I adored my St. Augustine Girls High School art teacher\, Mrs. Helga Mohammed from Madrid\, Spain. She was married to a Trinidadian. On my first day in her class at age 12\, written on her blackboard was: “Art is not only a painting hanging up on a wall\, art is in every aspect of your daily life.” These words have stuck in my head ever since. My paintings were chosen for the high school’s yearbook for two consecutive years. At age 15\, I painted from nature\, orchids on a branch. At age 16\, I did a still life\, a display of an apple\, pear\, and a bunch of grapes. Those two paintings and all the incredible reviews that came with them lifted my confidence in my artwork. There is a personal story behind every one of my paintings. I painted every single festival celebrated in Trinidad as well as all the folklore stories that I heard while growing up. \nI retired from general\, ophthalmic and psychiatric nursing in 2019 after having worked in England\, Malta\, Trinidad and the United States. Through British Nurses Overseas\, I was able to work in different countries. Ultimately\, I decided to go back to art during my retirement. I prefer working on canvas with multi-colored and gold acrylic paints.
URL:https://salemforallages.org/event/my-journey-to-morocco-9/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Prague-Spring-2008-195-930x620-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220616T170000
DTEND;TZID=America/New_York:20220616T200000
DTSTAMP:20260508T112507
CREATED:20220610T090022Z
LAST-MODIFIED:20220610T090022Z
UID:13073-1655398800-1655409600@salemforallages.org
SUMMARY:Ledger 5 year anniversary party!
DESCRIPTION:We love any excuse to throw a party\, so Ledger will be closed for regular dinner service on Thursday\, June 16th and open only for our exclusive 5 year anniversary party! We’ll have live music\, welcome drinks\, tiki inspired snacks (think cold noodles\, rangoon\, general tsaos chicken etc..)\, give-a-ways\, PLUS a special Ledger ice cream collab with Holy Cow Ice Cream Cafe! \n..Oh and did we mention our new custom Ledger tiki mugs available for purchase?! \nLeis and party pants\, optional. \nAttendance and tiki drinking\, mandatory.  \n\nClick Here to Purchase Tickets (Select Date 6/16)
URL:https://salemforallages.org/event/ledger-5-year-anniversary-party/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/Ledger-5-year-party.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220616T190000
DTEND;TZID=America/New_York:20220616T200000
DTSTAMP:20260508T112507
CREATED:20220610T090025Z
LAST-MODIFIED:20220610T090025Z
UID:13075-1655406000-1655409600@salemforallages.org
SUMMARY:Create Night: Sustainable Self Expression with UpCycled Accessories
DESCRIPTION:Members $10; nonmembers $20 \nGrab a drink\, invite a friend and join artist and PEM educator Lillian Gendreau to create a sustainable\, wearable piece of art emulating and celebrating the upcoming exhibition Patrick Kelly: Runway of Love. Learn how to design and make your own upcycled buttons and pins. A visionary fashion designer\, Kelly pushed cultural and racial barriers and is known for his unique use of buttons and pins as accessories in his runway ensembles to convey self expression and personal identity. Participants are asked to save at least 2 clean and empty aluminum cans from recycling and bring to this Create Night\, and will receive a kit in advance with the remaining tools necessary to complete the project. \nREGISTER NOW\nRegistration closes on June 8.
URL:https://salemforallages.org/event/create-night-sustainable-self-expression-with-upcycled-accessories/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/sustainable-PEM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220617
DTEND;VALUE=DATE:20220618
DTSTAMP:20260508T112507
CREATED:20220610T090027Z
LAST-MODIFIED:20220610T090027Z
UID:13077-1655424000-1655510399@salemforallages.org
SUMMARY:‘Caitlin Karolczak: Imitations of Mortality’ at the Satanic Temple
DESCRIPTION:Throughout history\, women have been more commonly recalled as muses than artists. Karolczak lays claim to both\, using both self-portraiture and other imagery in reclamation of identity. Her art practice also exhibits a preoccupation with the male portrait\, examining prevalent notions of fetishization and oft-not-seen vulnerability. Karolczak’s richly layered works combine age-old painting techniques with bold\, contemporary mediums. Featuring countless brushstrokes and translucent layers of pigment combined with uncommonly used mediums such as neon\, enamel and metal leaf\, Karolczak’s work truly stands out in the genre of figurative art. \nCaitlin Karolczak was born on Minnesota’s Iron Range. She attended the University of MN at 16\, where she received a BFA in Fine Arts and a BA in Art History with an emphasis in 19th century medical photography. \nIn addition to painting Karolczak\, pursues installation\, sculpture\, and performance art\, often incorporating objects of biology and antiquity from her personal collection. \nKarolczak has exhibited internationally in Bogotá\, Vancouver\, New York\, Miami\, Minneapolis\, Belgium\, Germany and more. Her work is in numerous collections across the US as well as Australia\, South America\, UK\, Canada\, Israel & South Africa. She has been interviewed by art publications in Australia\, South America\, Croatia\, & the USA. \nImage: Recoil\, Oil and encaustic on canvas\, 48″ x 72″.  2022
URL:https://salemforallages.org/event/caitlin-karolczak-imitations-of-mortality-at-the-satanic-temple-24/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/06/KarolczakCaitlin_Recoil_Horizontal-scaled-8.jpg
END:VEVENT
END:VCALENDAR