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X-WR-CALDESC:Events for Salem for All Ages
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DTSTART;VALUE=DATE:20220128
DTEND;VALUE=DATE:20220129
DTSTAMP:20260507T042451
CREATED:20220110T100009Z
LAST-MODIFIED:20220110T100009Z
UID:11694-1643328000-1643414399@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-28/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-15.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220128T100000
DTEND;TZID=America/New_York:20220128T200000
DTSTAMP:20260507T042451
CREATED:20220110T100015Z
LAST-MODIFIED:20220110T100015Z
UID:11696-1643364000-1643400000@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-76/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220128T100000
DTEND;TZID=America/New_York:20220128T200000
DTSTAMP:20260507T042451
CREATED:20220112T100007Z
LAST-MODIFIED:20220112T100007Z
UID:11697-1643364000-1643400000@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-38/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/great-animal-orchestra-peabody-essex-museum-scaled-6.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220128T180000
DTEND;TZID=America/New_York:20220128T193000
DTSTAMP:20260507T042451
CREATED:20220113T100008Z
LAST-MODIFIED:20220113T100008Z
UID:11699-1643392800-1643398200@salemforallages.org
SUMMARY:Winter Fireside Tales
DESCRIPTION:Warm-up in front of a fire with a drink in hand. Every winter season we’ll spend evenings to take an hour to learn about original lifestyles\, notable winters\, and infamous events this house stood witness to. Coffee and Tea will be provided. For those guests looking for a romantic evening of history\, this event is BYOB. So feel free to bring a bottle of wine\, beer\, or whatever you prefer.
URL:https://salemforallages.org/event/winter-fireside-tales-11/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/232859153.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220129
DTEND;VALUE=DATE:20220130
DTSTAMP:20260507T042451
CREATED:20220114T100008Z
LAST-MODIFIED:20220114T100008Z
UID:11700-1643414400-1643500799@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-29/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-16.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220129
DTEND;VALUE=DATE:20220130
DTSTAMP:20260507T042451
CREATED:20220119T100007Z
LAST-MODIFIED:20220119T100007Z
UID:11739-1643414400-1643500799@salemforallages.org
SUMMARY:Pink Roses\, Wild Hearts: Immersive Selfie Environment & Workshop Experience
DESCRIPTION:The latest immersive photo experience to take a look at Valentine’s Day from all angles\, whether you look forward to Valentine’s traditions with someone special or the thought of February 14 gives you a rush of cynicism. \nThe exhibition features selfie stations\, guided workshops\, and even opportunities to plan professional photoshoots in the space\, all surrounded by Grace & Diggs‘ upcycled artwork. The backdrops offer nods to love in all its forms with one set full of light colors and traditional Valentine’s Day designs\, a second draped in botanicals and darker shades inspired by a slightly wilder romance\, and a third showcasing a series of vines (or perhaps\, veins) to symbolize the sweet and wild connections to love. \nVisitors can also opt to participate in a workshop for all ages to create a Shaggy Heart Wall Hanging during a two-hour session. Workshops include full access to the exhibition and photo stations as well as 100% recycled materials and guided techniques to create your own piece of art. \nPlease note: all visitors must show proof of vaccination to enter.
URL:https://salemforallages.org/event/pink-roses-wild-hearts-immersive-selfie-environment-workshop-experience/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/https___cdn.evbuc_.com_images_199114329_535297756033_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220129T100000
DTEND;TZID=America/New_York:20220129T170000
DTSTAMP:20260507T042451
CREATED:20220114T100013Z
LAST-MODIFIED:20220114T100013Z
UID:11702-1643450400-1643475600@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-77/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220129T100000
DTEND;TZID=America/New_York:20220129T170000
DTSTAMP:20260507T042451
CREATED:20220114T100013Z
LAST-MODIFIED:20220114T100013Z
UID:11703-1643450400-1643475600@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-39/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/great-animal-orchestra-peabody-essex-museum-scaled-7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220129T100000
DTEND;TZID=America/New_York:20220129T170000
DTSTAMP:20260507T042451
CREATED:20220114T100018Z
LAST-MODIFIED:20220114T100018Z
UID:11705-1643450400-1643475600@salemforallages.org
SUMMARY:Each/Other: Marie Watt and Cannupa Hanska Luger
DESCRIPTION:Each/Other: Marie Watt and Cannupa Hanska Luger features the work of Watt and Luger\, two leading Indigenous contemporary artists whose processes focus on collaborative artmaking\, community engagement\, materials\, and the land. Each/Other features 26 mixed media sculptures\, wall hangings and large-scale installation works by Watt (Seneca\, Scottish\, German) and Luger (Mandan\, Hidatsa\, Arikara\, Lakota and European)\, along with a new monumental artist-guided community artwork. Works on view in Each/Other will consist of materials including carved wood\, ceramic and fabric sculpture\, photography\, installation works with coconcertina and oil drums\, video-based interpretive elements and documentation pieces to show past performance works by the artists. Together\, Watt and Luger emphasize creativity as a boundless process\, and a catalyst for connection and building greater empathy and understanding between individuals\, neighbors\, communities\, and the world around us.
URL:https://salemforallages.org/event/each-other-marie-watt-and-cannupa-hanska-luger/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/exEachOther_1800_002.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220129T180000
DTEND;TZID=America/New_York:20220129T193000
DTSTAMP:20260507T042451
CREATED:20220114T100021Z
LAST-MODIFIED:20220114T100021Z
UID:11707-1643479200-1643484600@salemforallages.org
SUMMARY:Winter Fireside Tales
DESCRIPTION:Warm-up in front of a fire with a drink in hand. Every winter season we’ll spend evenings to take an hour to learn about original lifestyles\, notable winters\, and infamous events this house stood witness to. Coffee and Tea will be provided. For those guests looking for a romantic evening of history\, this event is BYOB. So feel free to bring a bottle of wine\, beer\, or whatever you prefer.
URL:https://salemforallages.org/event/winter-fireside-tales-12/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/232859153.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220129T193000
DTEND;TZID=America/New_York:20220130T000000
DTSTAMP:20260507T042451
CREATED:20220115T100008Z
LAST-MODIFIED:20220115T100008Z
UID:11711-1643484600-1643500800@salemforallages.org
SUMMARY:2022 Masquerade Ball: Chapter & Verse
DESCRIPTION:Celebrate winter with a story-book masquerade on Saturday\, January 29th. Dress to impress and immerse yourself in the fantasy world of a Venetian masquerade ball at the 2022 Masquerade Ball: Chapter & Verse\, hosted by the Hawthorne Hotel. \nA million tales fill the night as storied characters come to life.  \nThis year’s ball is inspired by the great masters of the written word and promises to be an evening of decadence\, elegance\, and style\, complete with live entertainment\, DJ\, complimentary photo station\, light hors d’oeuvres\, cash bars\, and a costume contest. See the hotel transforms into an immersive literary experience that you will be talking about all year. \nTickets: $85 per person | includes one complimentary drink and light horderves \nAct fast! A winner will be chosen from the first 150 tickets sold and receive a complimentary overnight stay with breakfast at the Hawthorne! Can be used the weekend of the ball or on a future date. \nThis event is 21+ only | IDs will be checked at the door | proof of vaccination is required \nInterested in staying overnight at a discounted rate for the weekend? Contact the Hawthorne Hotel directly at 978.825.4322 to reserve a Masquerade Ball package. Tickets are included with your overnight reservation. It is not necessary to purchase tickets on Eventbrite if you are booking an overnight stay. \n 
URL:https://salemforallages.org/event/2022-masquerade-ball-chapter-verse/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/https___cdn.evbuc_.com_images_203548069_144142955783_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220130
DTEND;VALUE=DATE:20220131
DTSTAMP:20260507T042451
CREATED:20220115T100010Z
LAST-MODIFIED:20220115T100010Z
UID:11713-1643500800-1643587199@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-30/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-17.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220130
DTEND;VALUE=DATE:20220131
DTSTAMP:20260507T042451
CREATED:20220119T100010Z
LAST-MODIFIED:20220119T100010Z
UID:11741-1643500800-1643587199@salemforallages.org
SUMMARY:Pink Roses\, Wild Hearts: Immersive Selfie Environment & Workshop Experience
DESCRIPTION:The latest immersive photo experience to take a look at Valentine’s Day from all angles\, whether you look forward to Valentine’s traditions with someone special or the thought of February 14 gives you a rush of cynicism. \nThe exhibition features selfie stations\, guided workshops\, and even opportunities to plan professional photoshoots in the space\, all surrounded by Grace & Diggs‘ upcycled artwork. The backdrops offer nods to love in all its forms with one set full of light colors and traditional Valentine’s Day designs\, a second draped in botanicals and darker shades inspired by a slightly wilder romance\, and a third showcasing a series of vines (or perhaps\, veins) to symbolize the sweet and wild connections to love. \nVisitors can also opt to participate in a workshop for all ages to create a Shaggy Heart Wall Hanging during a two-hour session. Workshops include full access to the exhibition and photo stations as well as 100% recycled materials and guided techniques to create your own piece of art. \nPlease note: all visitors must show proof of vaccination to enter.
URL:https://salemforallages.org/event/pink-roses-wild-hearts-immersive-selfie-environment-workshop-experience-2/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/https___cdn.evbuc_.com_images_199114329_535297756033_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220130T100000
DTEND;TZID=America/New_York:20220130T170000
DTSTAMP:20260507T042451
CREATED:20220115T100015Z
LAST-MODIFIED:20220115T100015Z
UID:11715-1643536800-1643562000@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-78/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220130T100000
DTEND;TZID=America/New_York:20220130T170000
DTSTAMP:20260507T042451
CREATED:20220115T100016Z
LAST-MODIFIED:20220115T100016Z
UID:11716-1643536800-1643562000@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-40/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/great-animal-orchestra-peabody-essex-museum-scaled-8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220130T100000
DTEND;TZID=America/New_York:20220130T170000
DTSTAMP:20260507T042451
CREATED:20220115T100020Z
LAST-MODIFIED:20220115T100020Z
UID:11718-1643536800-1643562000@salemforallages.org
SUMMARY:Each/Other: Marie Watt and Cannupa Hanska Luger
DESCRIPTION:Each/Other: Marie Watt and Cannupa Hanska Luger features the work of Watt and Luger\, two leading Indigenous contemporary artists whose processes focus on collaborative artmaking\, community engagement\, materials\, and the land. Each/Other features 26 mixed media sculptures\, wall hangings and large-scale installation works by Watt (Seneca\, Scottish\, German) and Luger (Mandan\, Hidatsa\, Arikara\, Lakota and European)\, along with a new monumental artist-guided community artwork. Works on view in Each/Other will consist of materials including carved wood\, ceramic and fabric sculpture\, photography\, installation works with coconcertina and oil drums\, video-based interpretive elements and documentation pieces to show past performance works by the artists. Together\, Watt and Luger emphasize creativity as a boundless process\, and a catalyst for connection and building greater empathy and understanding between individuals\, neighbors\, communities\, and the world around us.
URL:https://salemforallages.org/event/each-other-marie-watt-and-cannupa-hanska-luger-2/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/exEachOther_1800_002.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220131
DTEND;VALUE=DATE:20220201
DTSTAMP:20260507T042451
CREATED:20220119T100010Z
LAST-MODIFIED:20220119T100010Z
UID:11742-1643587200-1643673599@salemforallages.org
SUMMARY:Pink Roses\, Wild Hearts: Immersive Selfie Environment & Workshop Experience
DESCRIPTION:The latest immersive photo experience to take a look at Valentine’s Day from all angles\, whether you look forward to Valentine’s traditions with someone special or the thought of February 14 gives you a rush of cynicism. \nThe exhibition features selfie stations\, guided workshops\, and even opportunities to plan professional photoshoots in the space\, all surrounded by Grace & Diggs‘ upcycled artwork. The backdrops offer nods to love in all its forms with one set full of light colors and traditional Valentine’s Day designs\, a second draped in botanicals and darker shades inspired by a slightly wilder romance\, and a third showcasing a series of vines (or perhaps\, veins) to symbolize the sweet and wild connections to love. \nVisitors can also opt to participate in a workshop for all ages to create a Shaggy Heart Wall Hanging during a two-hour session. Workshops include full access to the exhibition and photo stations as well as 100% recycled materials and guided techniques to create your own piece of art. \nPlease note: all visitors must show proof of vaccination to enter.
URL:https://salemforallages.org/event/pink-roses-wild-hearts-immersive-selfie-environment-workshop-experience-3/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/https___cdn.evbuc_.com_images_199114329_535297756033_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220201
DTEND;VALUE=DATE:20220202
DTSTAMP:20260507T042451
CREATED:20220119T100010Z
LAST-MODIFIED:20220119T100010Z
UID:11743-1643673600-1643759999@salemforallages.org
SUMMARY:Pink Roses\, Wild Hearts: Immersive Selfie Environment & Workshop Experience
DESCRIPTION:The latest immersive photo experience to take a look at Valentine’s Day from all angles\, whether you look forward to Valentine’s traditions with someone special or the thought of February 14 gives you a rush of cynicism. \nThe exhibition features selfie stations\, guided workshops\, and even opportunities to plan professional photoshoots in the space\, all surrounded by Grace & Diggs‘ upcycled artwork. The backdrops offer nods to love in all its forms with one set full of light colors and traditional Valentine’s Day designs\, a second draped in botanicals and darker shades inspired by a slightly wilder romance\, and a third showcasing a series of vines (or perhaps\, veins) to symbolize the sweet and wild connections to love. \nVisitors can also opt to participate in a workshop for all ages to create a Shaggy Heart Wall Hanging during a two-hour session. Workshops include full access to the exhibition and photo stations as well as 100% recycled materials and guided techniques to create your own piece of art. \nPlease note: all visitors must show proof of vaccination to enter.
URL:https://salemforallages.org/event/pink-roses-wild-hearts-immersive-selfie-environment-workshop-experience-4/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/https___cdn.evbuc_.com_images_199114329_535297756033_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220202
DTEND;VALUE=DATE:20220203
DTSTAMP:20260507T042451
CREATED:20220115T100020Z
LAST-MODIFIED:20220115T100020Z
UID:11719-1643760000-1643846399@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-31/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-18.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220202
DTEND;VALUE=DATE:20220203
DTSTAMP:20260507T042451
CREATED:20220119T100011Z
LAST-MODIFIED:20220119T100011Z
UID:11744-1643760000-1643846399@salemforallages.org
SUMMARY:Pink Roses\, Wild Hearts: Immersive Selfie Environment & Workshop Experience
DESCRIPTION:The latest immersive photo experience to take a look at Valentine’s Day from all angles\, whether you look forward to Valentine’s traditions with someone special or the thought of February 14 gives you a rush of cynicism. \nThe exhibition features selfie stations\, guided workshops\, and even opportunities to plan professional photoshoots in the space\, all surrounded by Grace & Diggs‘ upcycled artwork. The backdrops offer nods to love in all its forms with one set full of light colors and traditional Valentine’s Day designs\, a second draped in botanicals and darker shades inspired by a slightly wilder romance\, and a third showcasing a series of vines (or perhaps\, veins) to symbolize the sweet and wild connections to love. \nVisitors can also opt to participate in a workshop for all ages to create a Shaggy Heart Wall Hanging during a two-hour session. Workshops include full access to the exhibition and photo stations as well as 100% recycled materials and guided techniques to create your own piece of art. \nPlease note: all visitors must show proof of vaccination to enter.
URL:https://salemforallages.org/event/pink-roses-wild-hearts-immersive-selfie-environment-workshop-experience-5/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/https___cdn.evbuc_.com_images_199114329_535297756033_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220202T180000
DTEND;TZID=America/New_York:20220202T190000
DTSTAMP:20260507T042451
CREATED:20220125T100008Z
LAST-MODIFIED:20220125T100008Z
UID:11773-1643824800-1643828400@salemforallages.org
SUMMARY:Colonial Classic Food Demonstration (Consider the Potato the Pillow of Comfort Food)
DESCRIPTION:By the time Nathaniel Hawthorne dropped by The House of the Seven Gables to chat with his erudite cousin\, Susanna Ingersoll\, in the 1830s and ‘40s\, potatoes had made their way into New England kitchens. And very possibly\, a dish like potato omelet was served in The Gable’s dining room. \nAccording to Kaylee Redard\, assistant visitor services manager at The Gables\, the first permanent potato patches in colonial America were planted by Scotch-Irish settlers in Londonderry\, New Hampshire. Like lobster\, early colonists may not have appreciated the deliciousness of potatoes that were\, according to some historians\, first planted alongside pig sties to more easily get the crop to the animals. \nRedard will once again host a Colonial Classics food demonstration in The Gables kitchen. The potato omelet she will make in her live cooking demonstration involves a few tasty twists on what we may expect. On Wednesday\, February 2\, from 6 to 7 p.m.\, all are invited to sign on to a live\, virtual cooking demonstration hosted by Redard and The House of the Seven Gables. To register for the event\, use this link. It’s free\, but The Gables greatly appreciates donations of $10\, when possible\, to help cover costs and to support the Settlement programs.
URL:https://salemforallages.org/event/colonial-classic-food-demonstration-consider-the-potato-the-pillow-of-comfort-food/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/7GablesKitchen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220203
DTEND;VALUE=DATE:20220204
DTSTAMP:20260507T042451
CREATED:20220116T100008Z
LAST-MODIFIED:20220116T100008Z
UID:11721-1643846400-1643932799@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-32/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-19.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220203
DTEND;VALUE=DATE:20220204
DTSTAMP:20260507T042451
CREATED:20220119T100011Z
LAST-MODIFIED:20220119T100011Z
UID:11745-1643846400-1643932799@salemforallages.org
SUMMARY:Pink Roses\, Wild Hearts: Immersive Selfie Environment & Workshop Experience
DESCRIPTION:The latest immersive photo experience to take a look at Valentine’s Day from all angles\, whether you look forward to Valentine’s traditions with someone special or the thought of February 14 gives you a rush of cynicism. \nThe exhibition features selfie stations\, guided workshops\, and even opportunities to plan professional photoshoots in the space\, all surrounded by Grace & Diggs‘ upcycled artwork. The backdrops offer nods to love in all its forms with one set full of light colors and traditional Valentine’s Day designs\, a second draped in botanicals and darker shades inspired by a slightly wilder romance\, and a third showcasing a series of vines (or perhaps\, veins) to symbolize the sweet and wild connections to love. \nVisitors can also opt to participate in a workshop for all ages to create a Shaggy Heart Wall Hanging during a two-hour session. Workshops include full access to the exhibition and photo stations as well as 100% recycled materials and guided techniques to create your own piece of art. \nPlease note: all visitors must show proof of vaccination to enter.
URL:https://salemforallages.org/event/pink-roses-wild-hearts-immersive-selfie-environment-workshop-experience-6/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/https___cdn.evbuc_.com_images_199114329_535297756033_1_original.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220203T100000
DTEND;TZID=America/New_York:20220203T170000
DTSTAMP:20260507T042451
CREATED:20220116T100013Z
LAST-MODIFIED:20220116T100013Z
UID:11723-1643882400-1643907600@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-79/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220203T100000
DTEND;TZID=America/New_York:20220203T170000
DTSTAMP:20260507T042451
CREATED:20220116T100013Z
LAST-MODIFIED:20220116T100013Z
UID:11724-1643882400-1643907600@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-41/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/great-animal-orchestra-peabody-essex-museum-scaled-9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220203T100000
DTEND;TZID=America/New_York:20220203T170000
DTSTAMP:20260507T042451
CREATED:20220116T100017Z
LAST-MODIFIED:20220116T100017Z
UID:11726-1643882400-1643907600@salemforallages.org
SUMMARY:Each/Other: Marie Watt and Cannupa Hanska Luger
DESCRIPTION:Each/Other: Marie Watt and Cannupa Hanska Luger features the work of Watt and Luger\, two leading Indigenous contemporary artists whose processes focus on collaborative artmaking\, community engagement\, materials\, and the land. Each/Other features 26 mixed media sculptures\, wall hangings and large-scale installation works by Watt (Seneca\, Scottish\, German) and Luger (Mandan\, Hidatsa\, Arikara\, Lakota and European)\, along with a new monumental artist-guided community artwork. Works on view in Each/Other will consist of materials including carved wood\, ceramic and fabric sculpture\, photography\, installation works with coconcertina and oil drums\, video-based interpretive elements and documentation pieces to show past performance works by the artists. Together\, Watt and Luger emphasize creativity as a boundless process\, and a catalyst for connection and building greater empathy and understanding between individuals\, neighbors\, communities\, and the world around us.
URL:https://salemforallages.org/event/each-other-marie-watt-and-cannupa-hanska-luger-3/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/exEachOther_1800_002.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220203T110000
DTEND;TZID=America/New_York:20220203T120000
DTSTAMP:20260507T042451
CREATED:20220116T100018Z
LAST-MODIFIED:20220116T100018Z
UID:11727-1643886000-1643889600@salemforallages.org
SUMMARY:Hamilton Hall Lecture Series
DESCRIPTION:In its 76th year\, the Hamilton Hall Lecture Series on World Affairs continues the rich tradition of hosting internationally respected speakers. This season the Series will be held virtually with eight lectures on Thursdays at 11 a.m. during the months of February and March. As is our tradition\, there will be an opportunity for you to ask questions of our speaker\, an important part of our Lecture Series. In addition\, we are delighted to continue to offer a second option for enjoying the Lecture Series by replaying each lecture on the following Sunday at 5 p.m. \n  \n\nFebruary 3\, 11:00 am (replay on February 6\, 5:00 pm)\n\n\nStephen Walt\,  “President Biden’s Foreign Policy: Is America Really Back?”\n\n\n\n\nFebruary 10\, 11:00 am (replay on February 13\, 5:00 pm)\n\n\n\n\nKiersten E. Todt\,  ““The Cybersecurity Threat Landscape: An Opportunity for Operational Collaboration”\n\n\n\n\nFebruary 17\, 11:00 am (replay on February 20\, 5:00 pm)\n\n\n\n\nRachel Kyte\, “When Climate Change Changes Everything\, Everything Must Change”\n\n\n\n\nFebruary 24\, 11:00 am (replay on February 27\, 5:00 pm)\n\n\n\n\nRobert Kuttner\, “The China Challenge: Economics\, Geopolitics\, Climate”\n\n\n\n\nMarch 3\, 11:00 am (replay on March 6\, 5:00 pm)\n\n\n\n\nThomas M. Nichols\, Our Own Worst Enemy: The Assault from Within on Modern Democracy”\n\n\n\n\nMarch 10\, 11:00 am (replay on March 13\, 5:00 pm)\n\n\n\n\nAndrew Bacevich\, “After the Apocalypse”\n\n\n\n\nMarch 17\, 11:00 am (replay on March 20\, 5:00 pm)\n\n\n\n\nSung-Yoon Lee\,  “The Rise of Kim Yo Jong\, North Korea’s First Sister: The Kim Siblings’ Grand Scheme”\n\n\n\n\nMarch 24\, 11:00 am (replay on March 27\, 5:00 pm)\n\n\n\n\nGeoffrey Kemp\, “Game Changes in the Middle East”
URL:https://salemforallages.org/event/hamilton-hall-lecture-series/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Hamilton_Hall_Salem-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220203T180000
DTEND;TZID=America/New_York:20220203T193000
DTSTAMP:20260507T042451
CREATED:20220117T100008Z
LAST-MODIFIED:20220117T100008Z
UID:11729-1643911200-1643916600@salemforallages.org
SUMMARY:Winter Fireside Tales
DESCRIPTION:Warm-up in front of a fire with a drink in hand. Every winter season we’ll spend evenings to take an hour to learn about original lifestyles\, notable winters\, and infamous events this house stood witness to. Coffee and Tea will be provided. For those guests looking for a romantic evening of history\, this event is BYOB. So feel free to bring a bottle of wine\, beer\, or whatever you prefer.
URL:https://salemforallages.org/event/winter-fireside-tales-13/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/232859153.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220204
DTEND;VALUE=DATE:20220205
DTSTAMP:20260507T042451
CREATED:20220117T100008Z
LAST-MODIFIED:20220117T100008Z
UID:11730-1643932800-1644019199@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-33/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-20.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220204
DTEND;VALUE=DATE:20220205
DTSTAMP:20260507T042451
CREATED:20220121T100010Z
LAST-MODIFIED:20220121T100010Z
UID:11748-1643932800-1644019199@salemforallages.org
SUMMARY:Pink Roses\, Wild Hearts: Immersive Selfie Environment & Workshop Experience
DESCRIPTION:The latest immersive photo experience to take a look at Valentine’s Day from all angles\, whether you look forward to Valentine’s traditions with someone special or the thought of February 14 gives you a rush of cynicism. \nThe exhibition features selfie stations\, guided workshops\, and even opportunities to plan professional photoshoots in the space\, all surrounded by Grace & Diggs‘ upcycled artwork. The backdrops offer nods to love in all its forms with one set full of light colors and traditional Valentine’s Day designs\, a second draped in botanicals and darker shades inspired by a slightly wilder romance\, and a third showcasing a series of vines (or perhaps\, veins) to symbolize the sweet and wild connections to love. \nVisitors can also opt to participate in a workshop for all ages to create a Shaggy Heart Wall Hanging during a two-hour session. Workshops include full access to the exhibition and photo stations as well as 100% recycled materials and guided techniques to create your own piece of art. \nPlease note: all visitors must show proof of vaccination to enter.
URL:https://salemforallages.org/event/pink-roses-wild-hearts-immersive-selfie-environment-workshop-experience-7/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/https___cdn.evbuc_.com_images_199114329_535297756033_1_original.jpg
END:VEVENT
END:VCALENDAR