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DTSTART;TZID=America/New_York:20220116T100000
DTEND;TZID=America/New_York:20220116T170000
DTSTAMP:20260507T052854
CREATED:20211230T100008Z
LAST-MODIFIED:20211230T100008Z
UID:11623-1642327200-1642352400@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-32/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/great-animal-orchestra-peabody-essex-museum-scaled-24.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220116T233000
DTEND;TZID=America/New_York:20220116T233000
DTSTAMP:20260507T052854
CREATED:20211231T100017Z
LAST-MODIFIED:20211231T100017Z
UID:11629-1642375800-1642375800@salemforallages.org
SUMMARY:W O L F D R E A M // Submission Deadline (Call For Art)
DESCRIPTION:Throughout history\, Wolves have been the personification of wonder and power. They represent the untamed spirit and unconquered land. With that reputation\, they have also been condemned as evil incarnate and\, once murdered\, a symbol of man’s brutal conquest of nature. \nWith this exhibition\, we aim to explore and promote the majesty of these beautiful creatures whose alluring energy continues to inspire. \nThe Salem Art Gallery at The Satanic Temple Salem is seeking artworks to rejoice in the wolf and its spirit. As a commitment to the preservation of these important animals\, TST pledges the proceeds of the works included in this exhibition towards our neighbors to the north\, Wolf Hollow Conservation and Education Center. \nThis is an international call and all works will be considered. The exhibition will be juried by Zee Soffron\, Director of Wolf Hollow \nWorks must not contribute to a negative depiction of wolves\, nor may they include wanton violence to or by wolves. \n 
URL:https://salemforallages.org/event/w-o-l-f-d-r-e-a-m-submission-deadline-call-for-art/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/WolfDream_Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220117T160000
DTEND;TZID=America/New_York:20220117T170000
DTSTAMP:20260507T052854
CREATED:20211231T100022Z
LAST-MODIFIED:20211231T100022Z
UID:11631-1642435200-1642438800@salemforallages.org
SUMMARY:MLK Day: Collaging our Identities
DESCRIPTION:Join us for a special program to commemorate Martin Luther King Jr. Day. Artists Luis Martin and Aaron Marin will guide viewers through a collage-making session and prompt a conversation reflecting on social and civic issues\, injustice\, and race while tying in their lived experiences as men of color\, Latinx and Black. \nIn an invitation to participate\, viewers will have free access to a digital collage download with images and visual elements selected by both artists. The first 20 registered participants will get a collage kit mailed out to them in advance of the workshop.
URL:https://salemforallages.org/event/mlk-day-collaging-our-identities/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/download-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220119
DTEND;VALUE=DATE:20220120
DTSTAMP:20260507T052854
CREATED:20220107T100048Z
LAST-MODIFIED:20220107T100048Z
UID:11679-1642550400-1642636799@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-21/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-8.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220119T190000
DTEND;TZID=America/New_York:20220119T200000
DTSTAMP:20260507T052854
CREATED:20220119T100004Z
LAST-MODIFIED:20220119T100004Z
UID:11737-1642618800-1642622400@salemforallages.org
SUMMARY:Kate Dike Blair and Don Zancanella: Two Novels of Concord
DESCRIPTION:A continuation of the Transcendentalist discussion begun in December with Robert Gross’ The Transcendentalists and Their World\, Kate Dike Blair and Don Zancanella\, historical fiction authors with new books set in mid-19th century Concord\, talk about their research into this remarkable period and its people. \nBlair’s The Hawthorne Inheritance and Zancanella’s Concord both feature a who’s who of the New England Transcendentalist scene—Henry David Thoreau\, Margaret Fuller\, Ralph Waldo Emerson and the Hawthorne\, Alcott\, and Peabody families. Their conversation about these larger-than-life historical figures is not to be missed. This event will be on Zoom. Event link will be sent 30 minutes before program start.
URL:https://salemforallages.org/event/kate-dike-blair-and-don-zancanella-two-novels-of-concord/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/011921_Hawthorne_Concord-290x169-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220120
DTEND;VALUE=DATE:20220121
DTSTAMP:20260507T052854
CREATED:20220107T100054Z
LAST-MODIFIED:20220107T100054Z
UID:11681-1642636800-1642723199@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-22/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-9.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220120T100000
DTEND;TZID=America/New_York:20220120T170000
DTSTAMP:20260507T052854
CREATED:20220101T100008Z
LAST-MODIFIED:20220101T100008Z
UID:11633-1642672800-1642698000@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-71/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220120T100000
DTEND;TZID=America/New_York:20220120T170000
DTSTAMP:20260507T052854
CREATED:20220101T100009Z
LAST-MODIFIED:20220101T100009Z
UID:11634-1642672800-1642698000@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-33/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/great-animal-orchestra-peabody-essex-museum-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220120T180000
DTEND;TZID=America/New_York:20220120T193000
DTSTAMP:20260507T052854
CREATED:20220101T100012Z
LAST-MODIFIED:20220101T100012Z
UID:11636-1642701600-1642707000@salemforallages.org
SUMMARY:Winter Fireside Tales
DESCRIPTION:Warm-up in front of a fire with a drink in hand. Every winter season we’ll spend evenings to take an hour to learn about original lifestyles\, notable winters\, and infamous events this house stood witness to. Coffee and Tea will be provided. For those guests looking for a romantic evening of history\, this event is BYOB. So feel free to bring a bottle of wine\, beer\, or whatever you prefer.
URL:https://salemforallages.org/event/winter-fireside-tales-7/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/232859153.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220120T190000
DTEND;TZID=America/New_York:20220120T190000
DTSTAMP:20260507T052854
CREATED:20220101T100013Z
LAST-MODIFIED:20220101T100013Z
UID:11637-1642705200-1642705200@salemforallages.org
SUMMARY:Create Night
DESCRIPTION:Grab a drink\, invite a friend and join photographer Patricia Scialo to learn how to create a one-of-a-kind artists’ book. Before the workshop\, find a family photograph\, around 4 by 7 inches or smaller\, to feature in your book. Participants will receive a kit including the tools necessary to complete the project in advance.
URL:https://salemforallages.org/event/create-night/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/evCreateNi_PScailo_prof_002.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220121
DTEND;VALUE=DATE:20220122
DTSTAMP:20260507T052854
CREATED:20220107T100059Z
LAST-MODIFIED:20220107T100059Z
UID:11683-1642723200-1642809599@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-23/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-10.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220121T100000
DTEND;TZID=America/New_York:20220121T200000
DTSTAMP:20260507T052854
CREATED:20220101T100014Z
LAST-MODIFIED:20220101T100014Z
UID:11639-1642759200-1642795200@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-72/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220121T100000
DTEND;TZID=America/New_York:20220121T200000
DTSTAMP:20260507T052854
CREATED:20220101T100015Z
LAST-MODIFIED:20220101T100015Z
UID:11640-1642759200-1642795200@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-34/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/great-animal-orchestra-peabody-essex-museum-scaled-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220121T180000
DTEND;TZID=America/New_York:20220121T193000
DTSTAMP:20260507T052854
CREATED:20220101T100019Z
LAST-MODIFIED:20220101T100019Z
UID:11642-1642788000-1642793400@salemforallages.org
SUMMARY:Winter Fireside Tales
DESCRIPTION:Warm-up in front of a fire with a drink in hand. Every winter season we’ll spend evenings to take an hour to learn about original lifestyles\, notable winters\, and infamous events this house stood witness to. Coffee and Tea will be provided. For those guests looking for a romantic evening of history\, this event is BYOB. So feel free to bring a bottle of wine\, beer\, or whatever you prefer.
URL:https://salemforallages.org/event/winter-fireside-tales-8/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/232859153.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220121T200000
DTEND;TZID=America/New_York:20220121T210000
DTSTAMP:20260507T052854
CREATED:20220101T100019Z
LAST-MODIFIED:20220101T100019Z
UID:11643-1642795200-1642798800@salemforallages.org
SUMMARY:The Connecticut Witchcraft Trials: The First in the Colonies
DESCRIPTION:Visitors come from around the country and the world to Salem to learn about the 1692 Witchcraft Trials and see the sites where it happened. Many do not realize that there were other towns that had witchcraft trials before 1692. Salem may have been the worst\, but it was not the first. In 1647\, Alse Young was executed for witchcraft in Hartford. She was the first of 14 people executed for witchcraft over a 15-year period. And Connecticut almost did it again in August of 1692 when two women were convicted of witchcraft but acquitted. Join us for a discussion of the Connecticut Witch Trials with Prof. Walter Woodward\, who is the Connecticut State Historian. He is a scholar of Early American and Atlantic World history\, with an emphasis on Connecticut and New England. His research interests cover a variety of subjects\, including witchcraft\, alchemy and the history of science\, the use of music in Early America\, and environmental history.
URL:https://salemforallages.org/event/the-connecticut-witchcraft-trials-the-first-in-the-colonies/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/5f108e911cf6e.image_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220122
DTEND;VALUE=DATE:20220123
DTSTAMP:20260507T052854
CREATED:20220108T100007Z
LAST-MODIFIED:20220108T100007Z
UID:11685-1642809600-1642895999@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-24/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-11.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220122T100000
DTEND;TZID=America/New_York:20220122T170000
DTSTAMP:20260507T052854
CREATED:20220102T100008Z
LAST-MODIFIED:20220102T100008Z
UID:11646-1642845600-1642870800@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-73/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220122T100000
DTEND;TZID=America/New_York:20220122T170000
DTSTAMP:20260507T052854
CREATED:20220102T100009Z
LAST-MODIFIED:20220102T100009Z
UID:11647-1642845600-1642870800@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-35/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/great-animal-orchestra-peabody-essex-museum-scaled-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220122T180000
DTEND;TZID=America/New_York:20220122T193000
DTSTAMP:20260507T052854
CREATED:20220102T100015Z
LAST-MODIFIED:20220102T100015Z
UID:11649-1642874400-1642879800@salemforallages.org
SUMMARY:Winter Fireside Tales
DESCRIPTION:Warm-up in front of a fire with a drink in hand. Every winter season we’ll spend evenings to take an hour to learn about original lifestyles\, notable winters\, and infamous events this house stood witness to. Coffee and Tea will be provided. For those guests looking for a romantic evening of history\, this event is BYOB. So feel free to bring a bottle of wine\, beer\, or whatever you prefer.
URL:https://salemforallages.org/event/winter-fireside-tales-9/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/232859153.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220123
DTEND;VALUE=DATE:20220124
DTSTAMP:20260507T052854
CREATED:20220108T100013Z
LAST-MODIFIED:20220108T100013Z
UID:11687-1642896000-1642982399@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-25/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-12.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220123
DTEND;VALUE=DATE:20220127
DTSTAMP:20260507T052854
CREATED:20220105T100008Z
LAST-MODIFIED:20220105T100008Z
UID:11658-1642896000-1643241599@salemforallages.org
SUMMARY:North Shore Pride Weekend
DESCRIPTION:A full weekend to celebrate Pride with local businesses\, faith groups\, and community organizations at the fifth annual North Shore Pride Parade and Festival. All are welcome to attend any activity during the four-day-long event celebrating unity in the community which include the North Shore Pride Parade and Festival\, North Shore Pride Afterparty\, North Shore Pride Drag Brunch\, and North Shore Pride Interfaith service.
URL:https://salemforallages.org/event/north-shore-pride-weekend/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/white-and-multicolored-love-is-love-banner-1280638.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220123T100000
DTEND;TZID=America/New_York:20220123T170000
DTSTAMP:20260507T052854
CREATED:20220102T100016Z
LAST-MODIFIED:20220102T100016Z
UID:11651-1642932000-1642957200@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-36/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/great-animal-orchestra-peabody-essex-museum-scaled-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220123T100000
DTEND;TZID=America/New_York:20220123T170000
DTSTAMP:20260507T052854
CREATED:20220102T100016Z
LAST-MODIFIED:20220102T100016Z
UID:11650-1642932000-1642957200@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-74/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220126
DTEND;VALUE=DATE:20220127
DTSTAMP:20260507T052855
CREATED:20220109T100133Z
LAST-MODIFIED:20220109T100133Z
UID:11689-1643155200-1643241599@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-26/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-13.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220126T120000
DTEND;TZID=America/New_York:20220126T130000
DTSTAMP:20260507T052855
CREATED:20220103T100012Z
LAST-MODIFIED:20220103T100012Z
UID:11655-1643198400-1643202000@salemforallages.org
SUMMARY:Director’s Dialogue Series with Each/Other artist Cannupa Hanska Luger
DESCRIPTION:Join Lynda Roscoe Hartigan\, The Rose-Marie and Eijk van Otterloo Director and CEO\, for a conversation with Indigenous contemporary artist Cannupa Hanska Luger\, in advance of the opening of the new exhibition Each Other/Marie Watt and Cannupa Hanska Luger. \nLuger is a New Mexico-based multi-disciplinary artist. Using social collaboration in response to timely and site-specific topics\, Luger produces multi-pronged projects that take many forms. Through monumental installations that incorporate ceramics\, video\, sound\, fiber\, steel\, and repurposed materials\, Luger interweaves performance and political action to communicate stories about 21st-century Indigeneity. Many of Luger’s artworks will be on view in the forthcoming Each/Other: Marie Watt and Cannupa Hanska Luger\, an exhibition organized by the Denver Art Museum that opens January 29\, 2022 at PEM. Included in the exhibition is Luger’s Every One (2018). Hundreds of people across the United States and Canada contributed to this collaborative artwork which is composed of over 4\,000 individual handmade clay beads — each bead representing an Indigenous person who has been lost in the missing and murdered Indigenous women\, girls\, queer\, and trans epidemic. \n 
URL:https://salemforallages.org/event/directors-dialogue-series-with-each-other-artist-cannupa-hanska-luger/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/00-cannupa-hansker-MMIWQT-bead-project-contemporary-ceramic-art-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220126T190000
DTEND;TZID=America/New_York:20220126T200000
DTSTAMP:20260507T052855
CREATED:20220121T100006Z
LAST-MODIFIED:20220121T100006Z
UID:11746-1643223600-1643227200@salemforallages.org
SUMMARY:Michael Blanding: North by Shakespeare
DESCRIPTION:Boston-based investigative journalist Michael Blanding tells the true story of a self-taught Shakespeare sleuth’s quest to prove his eye-opening theory about the source of the English language’s most famous plays and gives us an insider’s view of the vibrant era of Elizabethan England and the contemporary scene of Shakespeare scholars and obsessives. Through it all\, Blanding employs his keen journalistic eye to craft a real-life drama that up-ends our understanding of the beloved playwright and his “singular genius.”\n\n\n\nMichael Blanding’s work has appeared in The New York Times\, WIRED\, Slate\, The Nation\, The Boston Globe Magazine\, and Boston. His newest book\, North by Shakespeare: A Rogue Scholar’s Quest to Discover the Truth Behind the Bard’s Work\, was published by Hachette Books in March 2021. His last book\, The Map Thief: The Gripping Story of an Esteemed Rare-Map Dealer Who Made Millions Stealing Priceless Maps\, was published by Gotham Books in June 2014 and named a New York Times Bestseller; an NPR Book of the Year; a New England Indie Bestseller;\n\n\nClick here for tickets.\n\n\n\nPLEASE NOTE: The event will be on Zoom. Event link is sent 30 minutes before program start.
URL:https://salemforallages.org/event/michael-blanding-north-by-shakespeare/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Michael-Blanding.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220128
DTSTAMP:20260507T052855
CREATED:20220109T100146Z
LAST-MODIFIED:20220109T100146Z
UID:11691-1643241600-1643327999@salemforallages.org
SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-27/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/Duennebier_01-scaled-14.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220127T100000
DTEND;TZID=America/New_York:20220127T170000
DTSTAMP:20260507T052855
CREATED:20220103T100015Z
LAST-MODIFIED:20220103T100015Z
UID:11657-1643277600-1643302800@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-75/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/08/Salem-Witch-Trials-Reckoning-and-Reclaiming-scaled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220127T100000
DTEND;TZID=America/New_York:20220127T170000
DTSTAMP:20260507T052855
CREATED:20220106T100007Z
LAST-MODIFIED:20220106T100007Z
UID:11660-1643277600-1643302800@salemforallages.org
SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-37/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2022/01/great-animal-orchestra-peabody-essex-museum-scaled-5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220127T180000
DTEND;TZID=America/New_York:20220127T193000
DTSTAMP:20260507T052855
CREATED:20220110T100008Z
LAST-MODIFIED:20220110T100008Z
UID:11693-1643306400-1643311800@salemforallages.org
SUMMARY:Winter Fireside Tales
DESCRIPTION:Warm-up in front of a fire with a drink in hand. Every winter season we’ll spend evenings to take an hour to learn about original lifestyles\, notable winters\, and infamous events this house stood witness to. Coffee and Tea will be provided. For those guests looking for a romantic evening of history\, this event is BYOB. So feel free to bring a bottle of wine\, beer\, or whatever you prefer.
URL:https://salemforallages.org/event/winter-fireside-tales-10/
ATTACH;FMTTYPE=image/jpeg:https://salemforallages.org/wp-content/uploads/2021/12/232859153.jpg
END:VEVENT
END:VCALENDAR