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DTSTART;VALUE=DATE:20220109
DTEND;VALUE=DATE:20220110
DTSTAMP:20260522T153633
CREATED:20220107T100012Z
LAST-MODIFIED:20220107T100012Z
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SUMMARY:Sister Season of Sorrow: Caitlin and Nicole Duennebier
DESCRIPTION:Since their youth\, Caitlin and Nicole Duennebier have been creating foreboding landscapes and narratives. Both have grown to have wildly different styles\, but their work still is commingled and speaks of the woods and stories made up from their childhood. Caitlin’s robust characters inhabit Nicole’s mystical\, otherworldly landscapes—drinking\, smoking cigs\, laughing\, and crying. The stark contrast creates a solid connection to the worlds that each artist creates\, exemplifying what can be possible when their two techniques collide. \nIn each exhibition\, the sisters attempt to use an entirely new medium; in Sister Season of Sorrow\, they are experimenting with clockwork. Each clock is its own environment set around the strictures of the timepiece\, but it is also sprawling and blithely unconcerned with being useful. The movements of each clock are attributed to the passing of time but they are swallowed up by the preoccupations of its inhabitants\, or entirely ignored as they go about their private miseries.
URL:https://salemforallages.org/event/sister-season-of-sorrow-caitlin-and-nicole-duennebier-15/
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DTSTART;TZID=America/New_York:20220109T100000
DTEND;TZID=America/New_York:20220109T170000
DTSTAMP:20260522T153633
CREATED:20211224T100012Z
LAST-MODIFIED:20211224T100012Z
UID:11582-1641722400-1641747600@salemforallages.org
SUMMARY:“The Salem Witch Trials: Reckoning and Reclaiming” at the Peabody Essex Museum
DESCRIPTION:More than 300 years after the Salem witch trials\, artistic imaginations remain engaged by the personal tragedies and grave injustices of this historic crisis. In this exhibition\, learn more about factors that fueled the hysteria and individuals who rose to defend those unjustly accused and explore two creative responses by artists with ancestral links to the trials. Both projects directly speak to the historical trauma evident in the authentic 17th-century documents and objects on view and provide a powerful contemporary response.\nThe fashion designer Alexander McQueen’s Fall/Winter 2007 collection In Memory of Elizabeth How\, 1692 was based on research into his ancestor Elizabeth How\, one of the first women to be condemned and hanged as a witch in July 1692. McQueen’s work reclaims How’s power and memory from the false accusation that led to her unjust execution. He also mined historic symbols of witchcraft\, paganism\, religious persecution\, and magic as potent inspiration for his fashion design.\nPhotographer Frances F. Denny’s series Major Arcana: Portraits of Witches in America reclaims the meaning of the word “witch” from its historical use as a tool to silence and control women. Her portraits re-envision witchery by celebrating the spectrum of identities and spiritual practices found in today’s witch community.\nIn this exhibition\, a multitude of voices will share their personal histories and perspectives\, drawn from authentic documents\, artist statements\, and interviews.\nLearn more here.\nThe Salem Witch Trials: Reckoning and Reclaiming is organized by the Peabody Essex Museum. Carolyn and Peter S. Lynch and The Lynch Foundation\, Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer provided generous support. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-salem-witch-trials-reckoning-and-reclaiming-at-the-peabody-essex-museum-66/
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DTSTART;TZID=America/New_York:20220109T100000
DTEND;TZID=America/New_York:20220109T170000
DTSTAMP:20260522T153633
CREATED:20211224T100012Z
LAST-MODIFIED:20211224T100012Z
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SUMMARY:The Great Animal Orchestra: Bernie Krause and United Visual Artists
DESCRIPTION:The Peabody Essex Museum and the Fondation Cartier pour l’art contemporain are proud to present the North American premiere of The Great Animal Orchestra. \nStep into an immersive audio-visual experience that celebrates our planet’s rich biodiversity. Over the course of nearly fifty years\, Bernie Krause collected more than 5\,000 hours of recordings of natural environments\, including at least 15\,000 terrestrial and marine species from around the world. \nTrained as a musician\, Krause found animal vocalizations in the natural world to be akin to musical harmony and orchestral organization. Krause’s soundscapes reveal that within any ecosystem\, each species has its own acoustic niche and human activities are increasingly silencing these great animal orchestras. United Visual Artists (UVA) worked with Krause to visualize these recordings as animated spectrograms\, which immerse us in the heart of these wild soundscapes. This unique installation makes a plea for preserving the wondrous diversity of the animal world. \nThe Great Animal Orchestra\, a collaboration between Bernie Krause and United Visual Artists\, ws commissioned in 2016 by the Fondation Cartier pour l’art contemporain\, and is now part of its permanent collection. The exhibition is organized by the Peabody Essex Museum and the Fondation Cartier pour l’art contemporain. \nThe exhibition is presented as part of PEM’s Climate + Environment Initiative and is made possible by a generous gift from the Creighton family and the Albert M. Creighton Jr. Fund for Art and Nature. Additional support was provided by Peter and Sandra Lawrence and individuals who support the Exhibition Incubation Fund: Jennifer and Andrew Borggaard\, James B. and Mary Lou Hawkes\, Kate and Ford O’Neil\, and Henry and Callie Brauer. We also recognize the generosity of the East India Marine Associates of the Peabody Essex Museum.
URL:https://salemforallages.org/event/the-great-animal-orchestra-bernie-krause-and-united-visual-artists-28/
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DTSTART;TZID=America/New_York:20220109T130000
DTEND;TZID=America/New_York:20220109T140000
DTSTAMP:20260522T153633
CREATED:20220107T100018Z
LAST-MODIFIED:20220107T100018Z
UID:11667-1641733200-1641736800@salemforallages.org
SUMMARY:Pickering House Zoom Lecture Featuring Robert Booth – “Pickering and Calley vs. The Establishment\, 1710”
DESCRIPTION:William Pickering of Salem and John Calley of Marblehead\, ambitious mariners forced by an unwanted war to engage in the Newfoundland fishery in the early 1700s\, became deeply (and improbably) involved in the highest-level politics of the province of Massachusetts Bay. Calley\, with evidence of treason\, fomented an uprising against the Royal Governor and helped to found a new church in Marblehead\, while Pickering rallied friends & relatives to rebel against the ruling class in Salem. They briefly took over town government and the provincial legislature\, at the same time founding a new church and forever dividing Salem between the uptown bigwigs and Pickering’s seafarers of the East Parish. Robert Booth\, curator emeritus of the Pickering House\, is an accomplished historian and author of a number of books\, among them Death of an Empire: The Rise and Murderous Fall of Salem\, America’s Richest City\, which was named the History Book of the Year Award in 2012 by the New England Society of the City of New York. \nBuy tickets here or via e-mail at pickeringhouse1@gmail.com.
URL:https://salemforallages.org/event/pickering-house-zoom-lecture-featuring-robert-booth-pickering-and-calley-vs-the-establishment-1710/
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